Saturday, June 19, 2021

Harvest Party

 

(Overture)

 

(Enter Applegale and Clive)

 

APPLEGALE AND CLIVE

Can you see seeds we're planting
Like a church's dirge, we're chanting
What gets buried in the ground
Does not come out the same
 
Can you feel the love is flowing
Like the sun it's warm and glowing
Shining just the way we are
But everyday we change
 
Winds of time are blowing
No telling where we're going
Pray God will catch us in his arms
Oh darling
Breathe and just keep planting
And on the day you can't
Oh well, guess you'll have to sell the farm
 
(Enter chorus)
CHORUS
Breathe and just keep planting
And on the day you can't
Oh well, guess you'll have to sell the farm
 
(All exit)
(EXT. city, enter Nina, humming to herself at bus stop, stops whistling when Johnny enters)
 
Johnny: Oh, don't stop on my account, ma'am.  (Nina says nothing)  Are you waiting for the bus?
Nina:  I'm thinking of calling a taxi instead.
Johnny:  You ain't from around here, are you?
Nina: What gave it away?  Was it my accent?
Johnny: Traffic is too bad in the downtown area for taxis.  It's quicker and cheaper to take the bus.  They got their own special lanes. 
Nina: That's good to know.
Johnny:  Are you cool?
Nina: I'm very cool.
Johnny:  No, I mean do you... you know, partake?  You're not a copper or nothin?
Nina: ...no I'm not a copper.  But I don't partake.
Johnny: You sure?  Cause I know a guy that's selling, and it might take the edge off.
Nina: Is it you?  Are you selling?
Johnny: Ay, you sure you're not a copper?
Nina: Please. 
Johnny: I see, you're just a prude.  That's fine, if I can't talk you into it.
Nina: You don't know me.
Johnny:  Ah, so you got a dangerous side?  Gonna live a little and partake?
Nina: You're cute if you think minor drugs are dangerous. 
Johnny: You think I'm cute?
Nina: I might call a taxi after all.
Johnny: Bah, it's fine, I'll drop it.
Nina (after a pause): Why this?  Why you?
Johnny: It's complicated.
Nina: Then make it simple.
Johnny: Ha!  Make it simple, she says.  Believe me, I would love to make it simple. 
 
JOHNNY
But when the skyscrapers cast shadows on the bottom floor
It's complicated
When the rich get richer and the poor can't afford to be poor
It's complicated
With nonstop traffic and the non-stop crime
And the homeless rotting in the breadlines
This whole city is like a mouth
Trying to swallow more
It's complicated
 
Since the cradle, I've been rockin'
To the sound of a higher purpose knockin'
Mixed with mockery from above the boards
 
They called me simple
Why can't you just fit in?
They called me simple
Well frankly I think everyone should be
Simple
Being complicated isn't worth the going through
Simple is better for you
 
They called me smart
But when I couldn't get the grades
They called me a waste
It's complicated
Fired from every above board job in the place
It's complicated
They'll never tell you you're good enough
You take what they give till the getting's tough
They ain't nothing but rats, that's why it's called a rat race
It's complicated
 
Sometimes when I stop and squint
I see my life so different
Like there ain't spit raining down on me
From above the boards
 
They called me simple
Why can't you do it right?
They called me simple
Well frankly I think everyone should be
Simple
Being complicated isn't worth the going through
Simple is better
 
And someday if I'm clever
I'll find a way to make it better
I'll show em I'm a go getter
Not a slacker or a joke
I'll make a lot of money
And then they'll think I'm funny
And not just a bum or a dummy
Or a druggy
 
When you got money... life is simple
 
NINA
Soon I'll make it better
I've found a way to make it better
Soon you'll see me on the screen
And everyone will hear me sing
And everyone will love me
 
JOHNNY AND NINA
When you got the money... life is simple
 
NINA
When you lose your papa and you're ten
It's complicated
When you're sold to foreign lands by hungry men
It's complicated
When you compromise your dignity
To get to the land of the free
But you no longer recognize the girl you see
It's complicated
 
JOHNNY AND NINA
Sometimes when I stop and squint
I see my life so different
Like there ain't spit raining down on me
From above the boards
 
NINA
Life could be simple
Why can't I find home?
It could be simple
I wish that everything could
Just be simple
Being complicated isn't worth the going through
Simple is better
 
(Caucaghony of city people talking on cell phones and honking cars and being generally noisy and complicated)
 
CHORUS
Life could be simple
But I don't have time
Life could be simple
I wish that everything could
Just be simple
Being complicated isn't worth the going through
Simple is better
Simple is better
 
JOHNNY
Simple is better for- Hey! Get off her !
 
(A small group of thugs have surrounded and cornered Nina.  Johnny intervenes, and punches a thug.  Another thug shoots Johnny in the arm.)
 
Copper (enters): Hey!  Freeze!  Hands in the air!
 
(The thugs scatter.  The coppers give chase.  Nina and Johnny hide on set and wait for all to exit.)
 
Nina: Come on.  I live just upstairs.
Johnny:  No, I gotta get to a hospital!
Nina: No hospitals.  Come on!
Johnny: What, this fancy place?  You live here?  You're not simple at all!  You've got means!  Just who are you?
Nina: My name is Nina.
Johnny: I'm Johnny.
Nina: I don't care. we have to go.
 
(INT. Loft)
(Crete is fixing up Johnny's arm)
 
Johnny: Thanks for fixing me up, doc... what did you say your name was again?
Crete: They call me Crete.
Johnny: Thanks, Crete.  I'm Johnny.
Crete: I don't care.  You're lucky it just grazed your arm.  It looked worse than it was.  You should be gentle with it, but you're pretty much good to go otherwise.
 
(Roger enters)
Roger: Hey, I'm here to... yo, who's that supposed to be?
Johnny: I'm Johnny.
Roger: I don't care.
Johnny: Then why'd you ask?
Roger: Because you're not a Viper.  He's not a Viper.  Who is he?
Nina: He saved my life.
Roger: He saved my life she says!  He saved your life.  You brought a non-criminal here because he did something crazy like take a bullet for you?  You know softies do-gooders like that tend to go to the coppers, right?
Johnny: I'm a criminal!
Roger: You are?
Nina: No he's not.
Johnny: Sure I am!  I do illegalities.
Roger: What kind of illegalities?
Johnny: Uh... drugs?
Roger:  You manufacture?
Johnny: Distribution.
Roger: International?
Johnny:... no, local.
Roger: Delivery?
Johnny: Sales.
Roger: Are you with a cartel?
Johnny: Um... not exactly.  My friend grows them.
Roger:  .... Pot?  You sell pot your friend grows?  That's the kind of criminal you are?
Johnny: Well I'm not gonna go to the coppers, that's the main thing.
Roger: That's good to hear, but Lucius *LOATHES* loose ends.  Nina, the minute Crete's finished patching this guy up, he's gotta go.
Nina: He'll be fine.
Johnny: Who's Lucius?
 
(Enter Lucius)
Lucius: I'm Lucius.  I'm the king of this city.  Who's this guy? 
Johnny: I'm-
Lucius: I don't care (pulls out gun)
Nina: No, don't!
Lucius:  Why not?  What's he to you?
Nina: He saved my life.
Lucius:  What, you trying to move in on my girl?
Johnny:  No!  I swear!
Nina:  Lucius, darling, please.  He was only trying to help.  You know I only have eyes for you.  If it weren't for him, I... well, I wouldn't have made it back to you.
Lucius: Yeah, that's right.  You're very loyal.  Cause you know he can't do for you what I can.
Nina: That's right.
Lucius: Just like I promised, you stick with me, I'll make you famous, baby.  Silver screen, all Nina, all the time.
Roger: So who shot him?
Nina: I was cornered by some goons from the Lions gang.
Crete: The Lions!
Crete, Roger, Nina, Lucius: Our rival gang. (all spit)
Lucius: Alright, what's your name again?
Johnny: Johnny.
Lucius: What do you do, Johnny?
Johnny: I'm in distribution-
Roger: He sells chump weeds on the streets for pennies.
Lucius: Oh, Johnny, we can do you better than that!
Johnny: Really?
Lucius:  For the hero who saved my girl?  Sure!  I run all the major drug rings in all of Bellville.  We smuggle all kinds of things here, our operation is a nexus point for the whole coast.  Whatever you're doing now, you do it for us.
Johnny: That explains why you have a doctor on staff.  This guy here must be your body guard?
Lucius: Who, Roger?  He's my chef.
Johnny: Oh.
Roger: Don't look so disappointed, I'm delicious.
Crete: He means his food is delicious.
Roger: I know what I said.
 
(Sirens, lights)
Lucius: What's that?
Roger (moves to the window): The coppers are coming in!
Lucius: How did they find us?
Nina: One of the goons who jumped me must've followed us!
Crete: What do we do?
Lucius: You guys go out the back, I'll draw their attention and give him the slip!
Johnny: You sure you'll be alright?
Lucius: Trust me, John, I'm slippery.  I ain't getting caught to-night!  There's a car in the back alley, but you'll have to hotwire it.
Crete: I got it.
(Lucius exits): Come and get me, coppers !
 
(EXT. Back alley)
Johnny: It was really great meeting you guys!  I hope we run into each other again once the heat's off.
Roger (cutting him off behind him): Hey
 
Roger
Where do you think you're going?
I don't think you realize that you know too much now
 
John: Are you serious?
 
Nina
This is not a threat, John
 
Nina and Roger
You've done nothing but right by us
So you're one of us now
 
Roger: Hurry up, and hotwire that car, Crete
Crete: I'm going!... Got it!
Roger: Hide!
 
(Music intensifies as the cops drive by and they hide while they pass)
 
Roger: Everybody in!
 
Roger, Crete, Nina
Trying to extend the lead
While we're being chased, we flee
Silently and swiftly out of reach
We are the Vipers and like a viper waiting to strike
Sometimes we have to hide away
In the grass to strike another day
 
Roger:  What do you say, Johnny?  You getting in the car, or does we gotta mow you down later?
Crete: Lucius loathes loose ends.
Nina: Try saying that five times fast.
Crete: Besiding that, you come with us we got your back.  You got protection.
 
Johnny
Guess you've got a point there
Now that I'm in, I'm in too deep
Yes, I'm one of you's guys
 
Roger, Crete, Nina
Welcome to the Vipers
From here on in you have our back
And we have yours your whole life
We are Vipers for life!
 
All
Trying to extend the lead
While we're being chased, we flee
Silently and swiftly out of reach
 
We are the Vipers and like a viper waiting to strike
Sometimes we have to hide away
In the grass to strike another day
 
(EXT. The woods)
(The car makes noise and dies)
Roger: What's wrong with it? 
Crete: Rotten old piece of junk.  We didn't have a better getaway car than this?
Johnny: We can't stop here, the cops could come looking for us this way! 
Nina: We're in the middle of nowhere, and we've been driving all night.
Johnny: It's the main road out of town. 
Nina: Relax, Johnny.
Johnny: I relax all the time!  Too much, even!  It's like my dad always used to say, "son, finish what you start".  Of course I never did.  I was always relaxing too much.  And look where it got me! 
Nina: Seriously, take a breath.
Crete: Lemme take a look under the hood.
(Crete starts looking under the hood)
It's too dark, I can't see anything.
Roger: I'll see if there's a flashlight in the back.
 
Johnny: Oh wow, look at the stars.
Nina: What?  Oh wow.
Johnny: I guess it's been awhile since I've been out of Bellville.  Are you okay?
Nina: Hmm?  Oh, yes.  I suppose I'm mostly in cities as well.
Johnny: Yeah, it must be all the light pollution.  So you really saved my neck back there.  With Lucius, I mean.  I guess we can call it even.  How'd you end up with a crime lord like him, anyways?
Nina: I don't see how that's any business of yours.
Johnny: Sure it's not.  You're right.  So I thought I heard he said he was gonna make you a movie star or something?
Nina: Yes.  He will pull his strings, and I will be on the silver screen, and then I will be loved.
Johnny:  Don't take this the wrong way, but if you're with Roger, aren't you already loved.
Nina:  ...... I've been all over the world.  I've met lots of men.  Only men like Lucius ever love women like me, and the only way men like Lucius ever love anything is as a possession.
Johnny: That doesn't really sound like love.
Nina: It's not.
Johnny: Nobody's ever loved you better than that?
Nina: .... Johnny, what are you getting at?
Johnny: Nothing, I guess.
Nina: Well, I'm getting tired of your voice.
Johnny: Yeah I get that a lot. ..... You know, on the streets they call me Alexander Hamilton, cause I'm reliable with the ladies-
Nina: I'm going to go for a walk.
Johnny: Right.
Nina: Alone.
Johnny: Yep, got it. 
 
(Johnny goes back to Crete and Roger, Nina walks away, but not offstage)
 
Nina
It's been so long since I've seen the stars so bright
They  seem to retreat into the shadows in the city light
They must close their eyes and look the other way
In the city sky no stars keep watch by night
 
But way out here all eyes are on you
Those little lights are bearing down on everything I do
Are these the same stars from my home? Did I ever leave them?
Do they remember everything I've done beneath them?
Even if they told, what city would believe them?
 
Stars you couldn't keep me safe!
So you don't get to judge me, what I've done to hide away
Stars!  You weak and useless beams!
If not you, who protects the ones we love when we're asleep?
 
It's been so long since I've seen the stars so well
I remember looking up at them with papa on the hill
He took me by the hand, and pointed out all of the patterns
Said guardian angels guided us
What good did it do him? What does it matter?
Where has he gone, stars?  Where the hell is my Daddy?
 
Stars you couldn't keep him safe!
So what if I have turned to city lights to guide my way?
Stars!  This watch was yours to keep!
If not you, who protects the ones we love when we're asleep?
Stars, you've failed me through and through!
So put that glaring light away, to-night I glare at you!
Stars, you useless beams of light!
If not you, who protects the ones we love by night?
 
 
(Johnny enters)
Johnny: Sun's coming up.
Nina: Good morning.
Johnny: We uh... we pushed the car into the woods a little ways.  Why don't you go and try and get a nap in?  I'll walk a ways and see if I can't find us some food.
Nina: That's a good idea.  We have plenty of cash on us.  Here.
Johnny: Thanks.  I'll be back in a bit.
 
(EXT. Woods, a pond)
(Applegale is swimming)
 
Applegale
Dance in the water, swim with creation
I'm like a mermaid, don't you agree?
Swimming, dancing so majestically
Ah ah ahhhh
Dance in the water, sing with the fishes
I'm like a mermaid, don't you think?
All this water, but I don't drink
And I don't need a bath
Because mermaids don't stink
Underwater-ahhhahAAAHHAAAAAAAA-OH!
 
(Johnny enters at the bank)
 
Johnny: Was that you singing all dorky?
Applegale: I don't know what you mean!  You must've heard a beautiful mermade!
Johnny: Yeah, okay. 
Applegale: What brings you out this way?
Johnny: I was following the road, kinda.  Loosely.  Is there a bridge around here?
Applegale: There's no bridge, you'll have to swim across.
Johnny: I don't know how to swim.
Applegale: You don't know how to swim?  How do you not know how to swim?  Didn't you ever go to a pool or a lake or the beach?  And swim around on a hot day?  And pretend you're a majestic mermaid?
Johnny: No, I can't say that I've ever pretended to be a mermaid.
Applegale:  Hmm, well there's a fallen log over there, if you've got good balance.
 
(Johnny begins to cross the log, is wobbly about it)
 
Applegale: You're quite a ways off the road.
Johnny: I guess I got a little lost.
Applegale: Are you okay up there?
Johnny: I will be if you stop distracting me.
Applegale: Am I distracting?
Johnny: It's hard to focus and talk to you at the same time.
Applegale: I can stop talking.  I can do my dolphin impression instead.
Johnny: Huh?
Applegale: E-E-E-E-E-E-E-EEK!
 
(Johnny falls in the water, clutches the log and makes his way to the bank)
 
Applegale (laughing): Aw I'm sorry.  But it's not so bad, is it?  The water feels nice!
Johnny: Yeah, sure, thanks a lot.
Applegale: Anytime!
 
(Apple goes back to swimming, Johnny looks back and then exits)
 
(EXT. Farm)
(Clive is sitting on porch.  Johnny enters, makes to walk past, then doubles back to Clive)
 
Johnny: Excuse me sir?  Hello?
Clive: Who's there?
Johnny: My name's Johnny, and I... I'm sorry I'm over here. 
 
(Clive tries to shake his hand, facing the wrong way, Johnny moves to the other side to take it)
 
Clive: Nice to meet you, Johnny.  My name's Clive.  Have a seat.
Johnny: Oh, I... okay.  So you're, uh...
Clive: I'm blind, yes.
Johnny: That's what I thought.  Cause of the sunglasses.
Clive: I wear the sunglasses to look cool.
Johnny: Oh. 
Clive: So what brings you to my beautiful farm, Johnny?
Johnny: Beautiful?  (looks around, sees dead plants) I mean, of course, very beautiful.  I was actually just passing by, and I thought I'd stop and ask for directions.  About how far down the road is the nearest store?
Clive:  If you're going on foot, you wouldn't make it there any time to-day.
Johnny: How did you know I was on foot?
Clive: I may be blind, but my other senses are heightened.  I can read with my tongue.  As long as it's written on a birthday cake.  What do you need at the store?
Johnny:  Just food, I think.  A couple of friends and I are camped out back that way.
Clive: Why don't you just head inside and take some food from my pantry, then?  We have plenty.
Johnny:  Are you sure?  I'm going to pay you for it.
Clive: That's alright.  Go ahead.
Johnny:  Thank you very much, Clive.  That's very generous of you.
Clive: You'd better get to it, then.  Don't want to leave your friends waiting.
 
(Johnny enters the house, finds the pantry nearly barren, and walks back out without taking anything.  Applegale enters drying off from the swim)
 
Johnny: You!
Applegale: You!
Johnny: What are you doing here?
Applegale: I live here! What are you doing here?
Johnny: So Clive is your-
Applegale: My father.
Johnny: Your father offered me and my friends food.  He said there was plenty, but-
Applegale: But there ain't.
Johnny: He also said the farm was beautiful, but-
Applegale: But it ain't.
Johnny: How long has this been going on for?
Applegale: Well you know how it goes sometimes, you think you're able to take care of it all all by yourself, but then you fall behind a bit, and you tell your blind father it's going great, cause he don't know, you'll just have to work harder and catch up, and then it gets more and more on top of you, but you've already lied so much... oh you must think I'm just the worst person you've ever met, don't you?
 
 

Sunday, January 26, 2020

A Transhuman in Port Teague


Manic already regretted coming out to the Fourth of July party at the Port, as he rounded the corner of the block and got a good view of the crowd down the hill.  He took a deep breath and walked forward anyway.  It was a larger crowd than usual, or at least it felt that way as he zigzagged his way through the forest of lively bodies, stopping jaggedly every few steps to let some pedestrian pass blindly in front of him.  Walking in a crowd is not a comfortable rhythm.  He pulled his gloves up so that he could feel the tips stretching against his fingers.  He didn't look at anyone's faces; he might accidentally recognize someone from when he used to live here.  It wasn't any old friend he dreaded, but rather the small-talk over-friendliness of some small town acquaintance who'd recognize him from buying groceries; some old teacher or neighbor.   He'd rather everyone remained a cloud of grey, faceless strangers.

As he drew closer to the Port, he finally spotted his old friends off to one side on the grass; Melvin was manning a grill.  Posie, Stu and some other guy he didn't recognize were chatting at a condiment table while they prepared plates.  He made his way over to them, and they waved at him on his way over.

"Manic!"  Stu called.  "I didn't know you were coming, it's good to see you!"
"Good evening," Manic greeted everyone.
"This is our friend Joe," Posie introduced Joe politely.
Manic extended his hand, and Joe stopped short of shaking it, "Oh, you're wearing gloves.  Hang on."  He reached into his cargo pocket, pulled out a pair of orange woolen mittens with cat faces on them, and put them on, before finally shaking Manic's hand.   "Pleasure to meet ya!"
"I see," said Manic, blankly.

He turned to Posie and said, "I didn't know you were back in town."
Melvin turned to Posie, "You saw Manic while you were in Bellville?  You didn't tell me."
"Oh," Posie paused, a little flustered.  "I'm sorry, I forgot to mention.  He was there when we were investigating the lizardman."
Melvin grunted "the lizardman" and turned back to the grill.

"That's actually why I'm here," Manic said.
"What, the lizardman?" Posie looked up at him, surprised.
"Yes," he continued.  "I have reason to believe it may be linked to E.J.'s research facility here in Port Teague."
"Right," Posie nodded.  "Yeah, we thought that too."
"We?"  Manic raised his eyebrow.
"Well, Antoinette thought that," Posie corrected herself.
"Who's Antoinette?" He immediately regretted asking.
"She's the reporter I was with.  Did you not meet her?"
"No, but that's okay,"
"She's supposed to come here to-night," she said reassuringly.
"That's fine, I don't need to meet her."
"No, I think you'd like her," Posie insisted.  "Everybody likes her."
"I'm not everybody," Manic insisted back.
"Well, she's..." Posie thought for a minute.  "I don't know.  I just have a feeling you'll get along."
"Is she a robot too?"  Asked Melvin.  "No offense."
"None possible," Manic replied.
"Oh there she is!" Posie exclaimed, as she jumped around waving frantically.  "Antoinette!  Over here!"

Manic turned around to look into the crowd.  He spotted a woman who was looking around, lost.  She turned to lock her eyes on Posie, smiled and started making her way over to the group.  What could he tell about her right off the bat?  Her angular features, large eyes, and neck-length haircut made her look taller than she was.  She was dressed in business casual, with her sleeves rolled up past her elbows, and her button-up tucked into her slacks.  Full makeup, blush, eye shadow, flashy red lipstick.  On a higher level of abstraction, Manic became self-aware that he was studying her longer than his normal introductory person study.  He redirected his attention towards isolating whatever significant trait it was about her that might cause him to do that.

Antoinette hugged Posie and exchanged pleasantries.  Manic stepped back behind Joe, who found a popsicle somewhere and was absorbed in it like a lover.

"So, you've met my husband Melvin already," Posie began to acquaint Antoinette with everyone.
"Right, yes," Antoinette nodded and started to extend her hand, but Melvin didn't look up from the grill.
"Hey, what's up," he shouted as he flipped a piece of meat into the air stylishly with his tongs.  She sheepishly returned her hand to her side.
"And this is Stu,"  Posie said.  "We grew up with him here, but he lives in Bellville now with his boyfriend."
"Pleasure to meet you," Stu said immediately, smiling broadly.  "Any friend of Posie's is a friend of ours.  You'll have to not take Melvin too personally."
"I'm just busy," Melvin grunted as he mixed a small paper bowl of various spices and started tossing fingerfulls onto the patties.
Antoinette nodded politely and extended her hand toward Stu, who took it from beneath, bowed low and kissed it.
"Oh," she giggled.  "What a gentleman."

Posie continued, "This guy with the popsicle is Joe.  He is a... paranormal detective?  Right?"
"Something like that," Joe stuck the naked popsicle stick in his mouth and began to put his cat gloves back on for another handshake.
Posie didn't wait for him to finish, "And the tall, dark, and handsome fella back there, lurking in the shadows, behind Joe, is Colin Doppler.  We've been affectionately calling him Manic."  Manic didn't reach for a handshake.
"Oh, so YOU'RE the famous Colin Doppler!"  Antoinette smiled, pleased, also without reaching for a handshake.  "I've heard so much about you."

She walked around Joe, and stood next to Manic, shoulder to shoulder.  Joe felt weird about them both being directly behind him like that, so he moved over to the grill to watch Melvin slap the hotdogs with a spatula.  Posie and Stu both huddled around him as well.
"Why are you doing that?" Joe asked.
"Joe speaks for all of us in asking that," nodded Stu.
Melvin looked up at his friends, "what, you guys have never beat the flavor into your hotdogs before?  Let an artist do his work!  Pass me another dog."
A box next to his feet opened, and a blue hand emerged holding a hotdog.

"Posie mentioned me?"  Manic asked her, quietly, staring off into the crowd.
"A little," Antoinette admitted, standing next to him, but looking sideways at him, trying to catch his eye.  "But I was already kind of a fan of your work."
"I don't have fans," Manic responded, stoicly.
Antoinette pursed her lips together thoughtfully, and folded her hands together, "I... know you're the brilliant inventor that pulled off digital mathematical randomness.  I know that technology gets used in practically everything now, and that you're making a hefty sum of money off the patents."
"You're a fan of my wealth?"  Manic asked, suspiciously.
Antoinette smirked, "I'm impressed with your wealth, but what I'm a fan of is your work."
"You're a journalist, right?"  Manic asked.
"Indeed I am," she agreed.  "A little more humble an occupation than brilliant scientist, but I like what I do."
"I'm not a scientist," Manic said, still looking forward into the crowd.  The sun was setting rapidly, but the fireworks still hadn't started.  They were running behind.
"Don't be so modest,"  Antoinette, bumped his shoulder gently with hers.  "I could never do what you do.  I don't have the skills, maybe not even the brains.  But I bet with a mind like yours would make a killing as a reporter.  Why, I bet you would've already gotten to the bottom of the Lizardman of Bellville by now."

Manic finally looked at her in the face.  She smiled at him innocently.  He took a good long look, drinking in her curious facial expression, and posture.
"Clever," he said, looking back up into the crowd, pushing his glasses back up the bridge of his nose.
"Hmm?"  She tilted her head.
"As soon as you learned who I was, you stood next to me.  Sideways," Manic said, blankly.  "Shoulder to shoulder.  You did that to get closer into my personal space without making me uncomfortable.  Face to face would've kept you farther away.  You're trying to establish a friendly rapport, and possibly light, un-invasive physical contact."
"Am I?"  She asked innocently, as she gently bumped his shoulder a second time.
"You're attempting to flatter me with my accomplishments, intellect, and wealth," he continued.  "You've already ascertained that I'm here for the same reason as you."
"What reason is that?"
"We both believe the Lizardman of Bellville is connected with Port Teague."
"Oh really?"
"You've likely deduced that I am more likely than you are to get access to the research and development facility in town.  I am an established expert in the sciences, and you're a nosey reporter.  Nobody trusts nosey reporters.  No offense."
"Offense taken," she said, smirking.  "You can make it up to me later."
"Additionally," he continued.  "You've likely looked me up and learned I grew up here and was companions with Elijah James Hemmingway, the owner of the facility.  You believe that if you flirt with me, I will be your inside scoop and leak you information about the Lizardman.  Don't think I didn't catch that 'you can make it up to me later' bit."
"It's not a bit.  I hold grudges."
"No you don't.  You're vying for leverage.  I don't owe you a favor."

Antoinette laughed, "I guess you caught me.  You really are a genius.  Hey-"  she turned on her heal to face him, still close into his personal space.  "I want to go to the water.  Will you come?"  She didn't wait for his reply; she took his gloved hand and started leading him toward the water.  She called out, "hey Posie!  Me and Manic are just gonna be down by the water!"
"Okay, you kids have fun!  We'll be here!"  Posie called back.
"If Manic starts to freeze up, just turn him off and back on again!"  Melvin called out.

They bobbed and weaved through the crowd.  Antoinette pulled him behind her by the hand at first, but as soon as the crowd got thicker closer to the Port, she pulled him up next to her and locked arms, so she was guiding him forward by the elbows.  He stole a glance down at her.  She was wearing short heels, and her gait was smooth; her head didn't move up and down as she walked.  Did she practice walking?  She looked taller than she really was, even up close.  While he wasn't looking where they were going, she tried to squeeze them between two people who were too close together, and bumped somebody's half-eaten hotdog into Manic's jacket.  Manic caught it, undamaged, but for some mustard that smeared off on his sleeve, and handed it back to the man.
"Oh, gosh, I'm sorry!"  Antoinette said to Manic.  "I'm so sorry."  She said to the man.
"That's okay," said the man. 
"I'm sorry," Antoinette apologized again to Manic.
"It's fine," Manic said, blankly.
She nodded, locked arms with him and they continued through the party.

They passed the Port, and most of the crowd, and made their way to a smaller dock, closer to the water.  Some young couples, and a couple of families had laid picnic blankets on the dock, and in the nearby grass.  The area was still comparatively quieter.  When they got up onto the dock, Antoinette let go of Manic, slipped her shoes off, rolled the bottoms of her slacks up past her knees and stuck her feet in the water.  She turned and motioned for Manic to do likewise.
"I'd rather not," he said.
"How come?"  She asked.
"Well, you know," he held up his gloved hands, hoping they would be sufficient explanation.
"No, I don't know," she twisted around to look up at him, smiling.  "You're not wearing those for germ reasons.  You still haven't wiped the mustard off your jacket."
"You did that on purpose?"
"I wanted to know if you were wearing them for germ reasons.  Now I know you're not."
"You could've asked."
She turned back around and shrugged, "some people are sensitive talking about that sort of thing."
"Do I strike you as the sensitive type?"  Manic asked.

Antoinette patted the ground next to her, motioning for him to sit, "at least sit so I don't have to twist and shout at you like a... Beatles cover song.  You don't have to put your feet in the water."
Manic sat cross legged next to her, "good."
"So what's up with the gloves?"  She asked, directly.
"It's a sensory thing," he said.
"Interesting," she replied.  "So you ARE the sensitive type."
"Antoinette-" he was cut off by the loud bang of fireworks launching off the end of the Port.  She looked up at them, but Manic kept looking at her.  The colored light from the fireworks lit her face up enough to see... he wasn't actually sure what he was analyzing anymore.  No facial expressions, other than being delighted at the fireworks.  Her legs were splashing in the water a little.  He couldn't tell anything from that.  What did he even want to know?  He looked up at the fireworks too.  It was beginning to dawn on him that he might actually be attracted to her.

She leaned on his shoulder.

Nope.

He stood to is feet, shrugging her head away, and started walking back off the dock.
"Hey!"  She shouted, before standing up after him.  "Where you going?"
"Back to my friends," he answered back without stopping.
"Oh," she said with an inflection that sounded something like disappointment and confusion.

"Is this the same dock where you dumped Posie?" She shouted back at him.
He stopped, paused for a second, then turned around to face her.
"Aha!" She smiled and marched forward, closing the distance between them, pointing at him with her index finger.  "I touched a nerve, didn't I?
"Posie told you we used to date?"  He asked, as blankly as he could.
"She said you dated all through high school.  Said you broke up with her, right here, right after graduation like it all meant nothing to you.  Said you left town."
"That's all true," he nodded.
"I heard Melvin calling you a robot," she continued.  "But you're not a robot, are you?"
"Why do you say that?"
"Because I touched a nerve," she said, smugly.
"Why else?"
"What?"  She blinked.
"Why originally?  Why did you gamble that I wasn't a robot?"
She thought for a second, "Because you showed up.  Because you're still friends with Posie, after all that.  And with her husband.  And with Stu, and that other guy with the popsicle."
"You know his name."
"Joe Michaels," she rolled her eyes.  "Of course I know his name.  He's a paranormal detective for the CIA.  Of course I looked him up."
"Gold star," said Manic.  "You figured out I'm not a sociopath.  You're 0 for 2, figuring out I don't have a germ thing."

"Look," Antoinette stamped her foot indignantly.  "There's a lizardman.  I was there.  He attacked a guy in Bellville.  I wrote the story.  Three whole paragraphs.  No photos.  One measly eye-witness quote, from Posie.  Her quote is the only reason I even got the piece published instead of laughed out of the office.  And I wasn't even the first one to break the story, because some nobody posted a cell phone video to social media and it... trended.  I want this story, Manic."
Manic raised his eyebrow.  She took a step closer to him, and continued, "I obviously want this story.  I wanna be the first to get to the bottom of it and expose the whole narrative.  I don't know if any other reporters are looking into it, I don't know if that Joe guy is gonna beat me to it and cover the whole thing up... hell, E.J. might already be ditching all the evidence."
"I'm not sure there is any E.J.," Manic said.
"Please help me," Antoinette pleaded.

Manic thought for a minute.  He watched the light from the fireworks bounce off her.

"How long were you going to string me along for a scoop?"  He asked.
"I wasn't," she answered.
"You weren't?"  He asked skeptically.
"I told you!  I'm a fan," she threw her hands up, exasperated.  "I read up on you.  I..." she bit her lip and looked down at her feet.  "I had a crush on you before I got here.  Before I had an extra agenda."
Manic didn't say anything.
She looked back up at him, and continued, "I'm sorry.  You're different than I expected.  You're completely walled off.  I dunno, maybe that's my fault, you thought I was stringing you along.  Just.. at least help me?  Please?  With the scoop?  I really need this."

"Okay," said Manic.
"Okay?"  Antoinette repeated.
"You're absolutely right," Manic said.  "I think it would be best for everyone."
"Huh?"
"I will help you with your story."
"You will?"
"And we will date."
"I'm sorry, what??"
"I will work for E.J.'s research and development team, and then we'll go on fake dates, and I will tell you what I find out."
"Fake dates?"
"Yes, it's a small town.  You don't have a reason to be here very long unless you come up with a cover story.  Dating me is sufficient.  And we'll be able to talk privately without arousing suspicion."
"Um, but-"
"Of course, it might turn out that E.J.'s R&D department isn't complicit.  In which case, we'll have to look for the source of the Lizardman elsewhere.  Probably back in Bellville.  But if we do find a smoking gun, we'll need to agree right now that Posie Pillow will have the final say on how to best handle the situation.  Including how to break the story."
"Posie?"
"Yes, we'll need a moral arbiter."
"Why?"
"Because I'm an insensitive subjectivist.  And you're actively trying to manipulate me by pretending to have a crush."
"... Okay, fair enough."
"I trust Posie will tell us if our actions are going to hurt innocent people."

"Okay," Antoinette considered all this.  "Well, if your weak spot is bedside manner, maybe I can run you through some practice interviews for the job."
"No need," said Manic.  "I emailed my resume a few days ago.  Someone named General Szupo called me back within the hour asking when I could start."
"Oh," Antoinette smiled.
"The answer is to-morrow."

-------
"What's up, snot waffles?!"
Posie, Melvin, Joe, and Stu all looked up to see a woman walking, almost slithering, toward them.  She was more slender than they remembered her, with long, curly black hair, black lipstick, and a fancy black dress.  Her complexion was pale, offset by freckles as numerous and ordered as the stars in the night sky.  Except for the red bow in her hair, she gave off the general impression of a grainy black and white photo with high contrast.

"Mallory Gates," Joe said her name like he was spitting dirt from his mouth.
"What are you doing here?"  Asked Melvin.
"I live here," said Mallory.  "My grandma was from here and everything.  I'm a Teague.  Rightful member of the Port Teague community."
"Really?"  Melvin laughed.  "You never leave your facility.  We haven't seen you in years.  In what way are you a member of the community, outside of your address?"
"We provided the fireworks," Mallory put her hand on her hip.  "And anyways, the five of us, we saved the world together.  You guy are my only friends.  Melvin and Posie are my brother and sister in law.  Does that mean nothing?"
"You can't marry someone post-partum," muttered Melvin.
"He means post-mortem," corrected Posie, politely.
"What are you insinuating?"  Mallory snapped at Posie, getting up in her face.
Posie shrank back for a second, then leaned closer to her face, "I was in the rocket with E.J., Mal.  I watched him die."
Mallory's eyes widened, and she took a step back, "he died?"

Everyone else looked at each other and back at Mallory, cautiously.
Mallory looked at them all, then addressed Posie again, "Posie, I may have underestimated you.  I always took you for a nice, sweet, small town gal.  Turns out you're just as conniving as I am.  Bravo."  She golf clapped, sarcastically.
"No, he died," Posie shook her head.  "He fell into the river."
"Did you find the body?"  Mallory shot back.  "Did you even check?  Did any of you?"
Nobody answered.
"That's what I thought," Mallory continued, sauntering over to Melvin.  "How do you like that, Mel?  Your own wife lying to you about your own brother all these years?  Apparently I'm the only one who loved him, I'm the one who pulled him out, dusted him off and gave him the wonderful wedding gift of a government research facility."

"Get out of here!"  Stu cut between her and Melvin, fuming from the ears.  "If you really pulled E.J. from that river, you didn't tell us.  You hid him.  If he's dead, you hid the body.  If he's alive, you both hid him.  But for my money, you didn't find him at all.  That's what everyone thinks."
"Really, eye candy?"  Mallory pouted at Stu.  "That's what you think of me?"  She leaned in and whispered, "but you were my favorite."
Melvin pushed Stu out of the way, "Did you see him, Mal?  Did E.J. look... different when you pulled him out?  Was he still... possessed?"
Mallory pressed her lips together and stared at him hard.  She almost seemed a little afraid.  Almost.  She finally answered, "is this about that LSD trip we all had in the barn?  You're not going to tell me you all still think we saw an angel that day?  Please.  Grow up."

"Where is he then?"  Asked Joe.  "Is E.J. here to-night?"
"Can we see him?"  Melvin asked, hopefully.
"No," responded Mallory, a little to harshly.  "He's... he's got his reasons.  I'd better be going.  It was.... it was good to see you all.  Especially you, Eye Candy."  She pointed at Stu, and then began to slither off.  She stopped suddenly, then turned back around.  "Guys.  That little blue alien girl.  She made it off the planet, right?  She went home?"
"We wouldn't tell you if she didn't," said Melvin.
"Good," said Mallory.  "Good instincts."  She disappeared into the crowd toward the Port.

Melvin looked down at the box.  Sok was peeking out.
"You heard all that?"  He asked.
"Yes," answered Sok.  "Are you okay?"
"I'm fine," Melvin answered.  "I'm more than fine.  Joe."  Melvin turned to Joe.
"I'm way ahead of you," nodded Joe.
"I'm not?"  Stu said, confused.
Melvin and Joe locked eyes and said together, "We're breaking into the facility to find E.J."
"We're breaking into the fa...cility... to find E.J.," Stu tried to join, a little too late and trailed off, bummed about it.

"Melvin, help!"  Posie panicked, desperately trying to flip hamburgers which were on fire.
 ----







Sunday, November 17, 2019

Nick of Time


--Outer Eden

Nichole "Nick" Thom woke up gently, face down in the dirt, to a light breeze passing over her back.  The sound of birds chirping came into focus before she could open her eyes.  When she did, she saw the trunks of trees, all in a row.  'I'm in some kind of apple orchard', she observed.  She sat up, rubbing her eyes, trying to remember how she got here.
'I don't know what I did last night, but I hope I enjoyed it.  Okay, Retrace your steps, Nick.  What's the last thing you can remember?'  She asked herself.
'I was... in the car with my boyfriend.'  She answered herself.  'Everything is still fuzzy.  We just graduated, we got into an argument, he was driving me home... and that's it.'

She turned around, and her jaw dropped.  In front of her was a drop in the ground of about eight feet, which leveled out into what appeared to be a vast expanse of flat floor hand-made from stone.   In the near distance beyond the world's largest parking lot, stood a large wall made out of monolithic stones.  Attached to the outer corners of the walls, like gargoyles, were gigantic sphinx-like statues, with lion bodies, human heads with big, curly beards, and wings on their backs.  Towering over the walls from behind, were rows and rows of enormous, pearly white pyramids and ziggurats.  As her eyes followed the buildings upwards, some colors caught her eye, and her jaw dropped even further.  Above her, in all directions, stretched across the sky, was some kind of ceiling made out of crystal or glass, high above the stratosphere like a great, glass bubble.  It almost even appeared to have water over it, based on the distortion of the gentle sun light passing through.  A velvet-blue aurora stretched across the sky making the greens and reds of the apple trees pop against her eyes like some kind of Disney Princess magic camera filter.  To her left, there appeared to be a concentration of dark clouds gathered directly beneath the glass, which seemed to be actively misting the apple trees below it; the whole pillar of the operation slowly creeping along the orchard rows.

Nick backed slowly into the orchard as she drank it all in, trying to sort it all out.  'I'm clearly lost.  I've never even seen pictures of this place before.  What happened last night?  Is there gonna be a bunch of embarrassing photos of me when I get back home?  Am I still on whatever drugs I took? That must be it, I still feel a bit woozy."
She stumbled a bit on her own equilibrium.
'Wait-' she blinked.  'I'm not woozy.  This feels more like vertigo.'
She felt a strange sensation, as though the very ground she was standing on was no longer down beneath her feet, but up at an angle, although gravity was still holding her to the ground like nothing had changed whatsoever.  She turned around and yelped.

There before her was a figure, hovering at an angle - or rather, her and the entire planet she was standing on was at an angle compared to it!  The figure was semi-translucent, but almost blindingly bright, and though it was hovering more or less in one spot, it gave off the impression that it was flying vigorously through the air around it.  The thing itself was a mess of feathered wings and eyeballs, all spinning and collapsing in on itself in fractals and fourth-dimensional wheels.  In the center of it all, was a baby's face wearing a propeller beanie, staring directly at her.
It opened its mouth and spoke to her:


















"...I'm ...I'm s-sorry, what?"  She stuttered, as politely as she could, trying not to anger it.
The baby face squinted at her, and spoke again, "You're speaking a different language.  What language is that?"
"I'm speaking English," she answered.  "What language were you speaking?"
"I'm speaking the only language that currently exists," It answered.  "I've never heard of English."
"Well, you've picked up on it rather well, bravo," she applauded.
"I have not.  I simply gave you the gift of tongues.  You are now speaking the human language."
"You gave me the what of tongues?"  She giggled.  "Sir, are you flirting with me?"
"I don't know who you are.  This is a problem."
"Buddy, no offense, but you're terrifying, and if you knew who I was, that would be even more terrifying."
"You understand not," said the baby face.  "I am Xabriel.  I am an intelligence agent.  A principality of organized information.  It is my very existence to know every human.  And I don't know you.  Hold still while I get a look at your genetic code."
"Gonna buy me a drink first?  I have a boyfriend, you know." 

"...Curious.  You're a very interesting phenomenon."  Said Xabriel.
"I get that a lot," said Nick.
"You appear to be a Sethite, only you're behind thousands of generations too many," it almost looked like Xabriel was scratching his chin, but the overall effect was like a miniature mushroom cloud made out of backlit MC Escher stairs.  "This is impossible.  If your genetic coding is correct, the whole of creation would be far older than I know it to be.  It's completely incorrect."
"Well, it's not my fault," Nick defended herself.  "My genes run in my family."
"In addition to that," Xabriel continued.  "You appear to have had far too much direct exposure to a sun.  How old are you?"
"Okay, first of all, don't ask a girl how old she is.  Secondly, don't insult her skin.  It's just bad manners."

"Are you a time traveler?"  Asked Xabriel.
"I don't know," answered Nick.  "What year is it?"
"The year of the rabbit."
"Maybe, then," Nick nodded without having listened to the answer.  "That makes a lot of sense, actually.  I was starting to think maybe I was on another planet, you know?  Cause of the glass ceiling.  Where I'm from, the sky is just kind of... naked up there.  Direct exposure to the sun and whatnot.  Like you were talking about.  But then I thought it was weird that an alien planet had apple trees."
"That settles it, then."
"I'm Nick, by the way," she introduced herself.  "Can you get me home?"
"I'm afraid not," answered Xabriel.
"Oh, no!"  Nick carefully sat on the ground, needing to anchor herself a little in response to Xabriel's fluctuating body, but unsure if she was going to fly off if she tried.  "You can make me talk in another language, but you can't send me through time?"
"I'm an intelligence agent, not a travel agent."
"It's fine, I guess," she said, passive aggressively.
"Do I understand correctly that in the future, the sky shield is gone?"  Xabriel asked.
"Oh!"  Nick rose to her feet.  "You don't know?  Aren't you afraid if you know too much about the future, you'll change it?"
"No," said Xabriel simply.
"Why not?"  Nick asked, sitting back down.
"It is not my place to deviate from the Will of the Lord based on my own understanding."
"The Lord?  Wait, is that what you are?  An angel?"
"Yes."
"Are... are you my guardian angel?"
Xabriel did something that might have been laughing, but also might have been growing three other heads; a lion's an eagle's and a bull's.  Either way, it was a very joyous looking event, and it infected Nick with a desire to laugh along with him.
"I WISH I was a guardian angel!  No, I didn't even know who you were until just now.  I am a minor intelligence agent.  I am very small, personal obfuscations and revelations.  That's why I needed to meet you, otherwise you will never meet anyone else here.  Behold!"
"Oh, fun!  What am I beholding?"
"Candle approaches," said Xabriel.  "He is a Sethite.  Tell him you are lost and that I am sending you to Outer Eden.  You will be safe there.  The Lord, our God is above time itself, and if you are here, it is for a reason according to His divine Will."
"Sure, sure.  Will I see you again?"
"I do not know.  Anything is possible now."
"Freaky," she nodded.  "Hey, this gift of tongues is pretty handy.  You should give it to my friends."
"You are asking me to wait for thousands of years until you and your friends are born, and give the gift of tongues to your friends?"
"Yes please."
"I will try to remember," Xabriel folded in on himself and disappeared.  The ground underneath Nick once again seemed to be the source of gravity, and everything was once again right side up.

Nick stood up carefully, and turned on her heals when she heard footsteps running toward her between the apple trees.  A man approached, and slowed to a stop when he saw her.  He was tall, and his thick, wild, brown hair made him look taller, as it shot upwards off of his head in all directions.  He had on some kind of long, sleeveless leather robe that hung down to his knees, with a belt around the waist, and stilted sandals made of wood and thinly woven rope.  His beard made it difficult to guess at his age.  He carried a stick with a pelt sack tied to the top of it.  Nick's overall impression of him was that he looked like a caveman hobo.

"Are you an angel?" He asked.
"Why is everyone here flirting with me?"  Nick rolled her eyes.
The caveman hobo blushed a little, but kept looking at her expectantly.
"No," she answered.  "I'm not an angel.  You just missed him."
His shoulders sank, and he let out a heavy sigh, "That's too bad.  I saw the light in the distance and felt his presence and I ran here to meet him."
"I don't think he wanted to meet you back," said Nick.
"Did he say that?"  The caveman hobo asked, forlorn.
"You're Candle, right?"
"Yes, that's me."
"He told me you were coming," she explained.  "Then he buggered off.  Couldn't be bothered to wait five more seconds."
"Oh."
"Hey, he did say you could help me though," Nick offered.
"Oh?"
"He said you could take me to someplace called Outer Eden?  He said I'd be safe there."
"Yes, Outer Eden is where I live," smiled Candle.  "I would be happy to take you there.  Where are you from?  Your clothes are strange."
"What's wrong with my clothes?"  Nick looked down at herself, at her perfectly ordinary Portland Trailblazers hoody, sports sweats and sneakers.
"I can see between your legs," he pointed.
"Why are you looking between my legs?" She asked.  "Are you some kind of pervert?"
"Oh, no," he blushed again, and averted his eyes.
"I'm teasing you," she laughed.  "They're called pants."
"We should go," Candle said, matter-of-factly.  "And we should take a few apples with us."

They picked some apples from a nearby tree, and put them in Candle's bag before he led her out of the orchard and along a small path of cobblestone that cut through a large field of long grass, purple flowers, and other weeds.  The path lead to some large hills.
"Who's orchards are those?  Are we steeling?"  Nick asked.
"We planted them," Candle said.  "They were an offering to the Cainites.  But we can take these.  Where are you from?  Are you not a Cainite?"
"No, I'm..."  Nick paused, trying to decide how specific she needed to be, when she didn't totally understand herself how she got here.  "I'm... from another time.  My name is Nick."
"It's nice to meet you, Nick of Time," smiled Candle.
Nick laughed.
"I don't believe you, of course," said Candle.
"No, I suppose you wouldn't," Nick smiled back.  "But I'm not from here, at any rate.  I've never even heard of the Cainites, or Outer Eden.  And I don't know why there's a big, glass ceiling over our heads."
"You're kidding me!"  Gawked Candle.  "Eden is where all of mankind comes from!"
"Like the Garden of Eden?"
"Yes, you've heard of it," Candle nodded.  "So you must be one of us.  Perhaps you're just from farther out.  I hear people from farther from the garden are a bit... confused.  It makes sense that you'd be confused."
"And what's with the sky bubble?"
"You are too confused," Candle shook his head.  "The sky is the sky.  Perhaps you hit your head?"
"Just pretend I'm a child," Nick said, irritated.
"In the beginning, God separated the waters of the sky and the waters of the deep," Candle said, slowly, and slightly condescendingly.  "Up there is the heavens."
"That explains nothing," Nick pouted.

They walked awhile in silence.
Nick finally asked, "are we really going to the Garden of Eden?"
"Yes," Candle nodded.  "Well, sort of.  I live in outer Eden.  You know... because we can't actually get into the eastern Garden anymore."  He looked at her as he spoke to try and gauge how much she already knew.  She listened blankly.  "Did you know we can't get into the Garden?"
"I had a hunch," said Nick.  "In my time, we... we have a really old book with a few sentences about the Garden of Eden.  Most of us think it's a myth and that none of it really existed."
"Hmm," Candle scratched his chin.  "You've been estranged from your own history."
"Are the Cainites like... named after Cain?  Like from Cain and Abel?"  She asked.
"Yes," Candle nodded.  "Okay, so you know who Cain and Abel are."
"A little," Nick nodded.  "I know Cain killed Abel."
"Do you know who Seth is?"
"No," Nick admitted.  "Though in my defense, it's a pretty common name where I'm from."
"Okay," Candle said.  "I am a Sethite.  Seth was also son of our first Patriarch and Matriarch.  He replaced Cain after he was exiled.  Do you know what family you belong to?"
"My family name is Thom," Nick answered.
"I don't recognize that lineage," responded Candle.
"That's because I'm from the future, I told you," whispered Nick.

After a couple of hours, they came to the foot of the hills, and followed the cobblestone path between them.  The hills were dotted with all manner of herbs and shrubs, releasing a number of fragrances in the air.  The path forked off periodically in other directions.  Whenever they came to a fork, Candle wouldn't even break pace, he'd just continue walking up one path, and Nick followed figuring he must know his way around pretty well.  The farther in they got, she also saw that there were other markers along the sides of the path; small wooden structures with little benches in them that almost looked like bus stops, or gazebos, and wooden stakes in the ground that held up small boxes with open sides that housed little potted plants, usually cherry tomatoes.  After clearing a few hills, they rounded the corner of one, and Nick saw structures peaking out from behind the hilltops.  When they came to the last hill, the cobblestone path forked around it in both directions, and one center path lead up on top to a well.  They took the center path up to the well, and at the apex, Nick got an eyeful of the city from above.

After the hill was a shallow slope, all the way down to a giant river.  The river flowed outward from a mountain, or what may have been an artificially constructed wall.  It was hard to tell, because it was impossibly massive, and stretched upwards at a ninety degree angle, perhaps all the way to the glass ceiling.  She couldn't tell because the top was obscured by cloud.  At the bank of the river, on the side of the mountain, was a forty story tall statue of an angel; not complex like Xabriel, but with the form of a robed human with wings.  The angel statue was holding a gigantic sword-shaped pillar that was completely engulfed in flames.  At its feet was erected a building that looked like a cathedral, with three different towers, and three tall doors.  An expanse in front of it was occupied with several tents, freckled with small fires.

The town crept out from the river, and from where Nick was standing, the sun reflected off the water, making it look like the gridded streets were made of part water, part light.  Most of the buildings and houses were shallow, only one to four stories tall, and were denser along the waters.  The water ran right through the middle of the streets, canals, decorated with flowers on either side, and people floating in buckets and baskets here and there.  Farther in land, the water canals were replaced with vegetation, trees and gardens.  The buildings were painted in brilliant colors, and clothes-lines were hung between them.  Most of them had flat stone roofs, but several were tarped up with stitched cloth, and some were covered with a layer of straw.  Various fires were lit throughout the town in front of the buildings, and she could see the glowing firelight flickering against the tops of the walls.  On the outer edges of the town, further canals flowed from the river and fed into rice gardens, and more orchards and rows of crops.  The houses spread all the way up the hill to where Candle and Nick were standing, with two tall stone obelisks on either side of the cobblestone path marking the entrance.

"This is the most beautiful town I've ever seen," said Nick, gawking at.
Candle looked down, sheepishly, "it's not as impressive as the Cainite city, called Enoch, but we put a lot of love into it."
"What, that big, gloomy, walled off pyramid nest?"  Nick looked at him.  "With a solid three miles of flat rock holding up nothing?  That place is creepy.  This place is beautiful.  And that big flaming angel statue is at least as impressive as anything they've got."
Candle continued looking down sheepishly, "Oh, yeah, that's... we didn't build that."
"Who built it?"  Nick asked.
Candle looked embarrassed.
"It's okay if you don't want to tell me," said Nick.
Candle looked up and smiled, but he still looked sad, "it's been there since practically the beginning.  Inside there, that's the Garden of Eden, where we all came from.  The angel statue keeps us out.  We keep hoping one day we will be worthy enough for it to move again and let us in."
Nick looked hard at the distant statue.  It did have a certain foreboding quality to it.
"You keep hoping?" She asked.
"It's hard sometimes," he said, quietly.  "You know we die now, right?"
"What?" Nick.  "Is that thing killing you?"
"No, not the angel.  We just die," Candle explained.  "We... grow old.  We go to sleep and never wake up.  Or we fall, or drown, or get sick, and the wind stops occupying our bodies.  We are a cursed people."
"Oh," Nick blinked.  "That's normal, though, right?"
"Pardon me," Candle said.  "It's hard for me to know what you know and what you don't know.  You knew Cain and Abel, but not Seth.  You knew of the Garden of Eden, but not the angel with the flaming sword.  Now you know of the curse of death, but not of the sky.  I don't see the pattern."

"I'm sorry," Nick apologized.  "But death is normal where I'm from.  It's a part of life."
"Death is not normal," said Candle defensively.  "We didn't die in the Garden.  Our Patriarch, Adam, and our Matriarch, Eve, they thought when they were banned from the Garden that their first born child, Cain would be the foretold Messiah that would make them worthy again to enter into Paradise.  But Cain killed Abel.  And so now Abel can never enter the Garden.  Because he is dead.  We didn't even know what death really was until that happened. Do you see?"
Nick thought about it, "see what?"
"We were already large in number by then," Candle continued.  "We worked and we toiled.  We tried to recreate the Garden out here in the wilderness as best as we could, and we started a tradition of an annual harvest sacrifice, every year in the harvest season.  We wanted to show that we were worthy, that we could be trusted, for the curse of sin to be lifted, and for us to return to our home.  Every year, we did exactly as it was commanded of us."
"Commanded?"
"Yes.  Until one year, Cain thought he would improve upon the form of his harvest grain offering.  His thoughts turned to vanity, pride and impatience.  The angel's sword burned up his offering.  In front of everyone, his sacrifice was not favorable.  He was embarrassed, and his family, the Cainites, blamed him for shaming them.  Cain grew angry at God, and jealous of Abel, whose sacrifice was favorable that year.  He killed his brother.  We were all terrified.  Cain was banished, and the soil no longer bore fruit for him, so he and his family left to where you were, and built the city of Enoch.  We were not sure if we would ever be allowed back into Eden after that.  And then Adam died, out of nowhere.  He withered, and his hair fell out, and he lost his teeth and much of his memory.  And then, one day he just didn't wake up.  And so he will never return to Eden either.  And then Eve, our Matriarch died.  And so now she will never return to the Garden.  Do you see?  We keep on hoping, and sacrificing, and praying, but we've already lost so many people.  I believe we will return someday back to the Garden.  But will I be alive to see it?"

"Hmmm," thought Nick.  "Have you tried building a small boat, and sailing into the side of the Garden through the river?"
"Have we tried..."  Candle laughed a big, boisterous laugh.  "You are here at the gates for less than an hour, and you ask if we've tried entering through the river!  We've been here hundreds of years!"
"But have you?"  She asked again.

"...Uhhh... you know what, I will have to ask if anyone has tried entering the Garden through the river.  Come!"  Candle bounded forward between the obelisks and gestured for her to follow.  "Come meet my family!  You've come at such a good time, we are all preparing for the harvest festival in a few days!"
"Oh!"  Nick skipped into the city after him.

The city was just as beautiful in the streets as it was from the outside, as they passed house after house, underneath clothes lines and hanging lanterns, the sun gently glowing through the great glass ceiling and the aurora streaking across the sky made the light dance off of the vibrantly colored houses, roofs, flowers, and fabrics.  People were walking here and there tending to the gardens in the middle of the streets, and tending to food cooking over open fires.  Nick could smell burning spices and vegetables, and blossoming lavender and other pleasing aromas the whole way down toward the water.  At one point they passed a man wheeling a wooden wheelbarrow filled with cheese.  Everywhere they went, Nick could look up and see the angel statue with the pillar of fire looming over the roofs, and usually the top of the temple as well.  They periodically passed large intersections; at one of them, there were carts of different kinds of foods, fruits, vegetables, cheeses, and jars of milk, wine and other beverages she didn't recognize, and people were going around trading with each other.  People were bustling in and out of the streets, usually in small groups, some dragging along domesticated farm animals like sheep and goats.  In the center of the intersection, three young women were in the middle of painting a large mosaic on the cobblestones.  Nick caught herself smiling stupidly at everything.

"You have to try something!" Candle suddenly wheeled excitedly on his heals to face Nick.  He took her hand and guided her to one side of the intersection, where a woman had set up shop under a tarped overhang.  She was stirring something yellowish white in a cauldron sitting over a small fire.
"Lady Eel!  It's so good to see you!" Beamed Candle.
"Hello, Gentleman Candle!"  Eel greeted him back. "How is your wife?"
"She is well, thank you," answered Candle.  "I want you to meet my new foreign friend, Nick of Time."
Nick laughed, "is that the name that's going to stick?"
"So good to meet you!"  Eel greeted her warmly.  "I suppose Candle brought you here to try my mud?  He's right to do so."
"It's the best mud you'll ever have," Candle promised.
"Okay, not a very appetizing name, but let's try it," said Nick.

"Alright, here we go," Eel turned behind her to a table stacked with small bags and small, stone cups.  She selected a bag and a cup and brought them to the front table.  She then pulled out a small circular, stone coaster with two metal rods poking out of either side, bent at the top into tiny hooks.  She placed the stone cup on the coaster between the hooks, and opened the bag by the draw strings, and smelled.
"Mmmm, smell this," she said, as she held the open bag in front of Nick.  "This is the dirt.  Don't worry, it's not really dirt.  It's my special mixture of ground up nuts and hard beans and spices."
Nick took a whiff.  It smelled nutty and a little floral.
Eel tied the two strings around the hooks, over the cup, so that the bag was open facing upwards.  She then took a ladle full of the white-yellow liquid from the cauldron and carefully poured it into the bag.  A thick, brown, sludgy liquid oozed through the tiny bag's weaves and slopped into the stone cup.  Eel pulled a smooth, oblong stone out of her apron pocket and pressed into the cup, and the compressed the mud to the bottom, so that the top of the cup was all a thinner, brown liquid.
Eel handed Nick the cup, "Blow on it.  It's still a little hot.  And try to drink around the mud at the bottom."
Nick tasted the mud.  It was bitter, milky, nutty, and floral.
"Not half bad," she said.  "It's almost like coffee, but weirder."
"What's coffee?" Asked Eel.
"It's... a beverage from where I'm from," Nick responded, evasively.
"Where are you from?" Asked Eel.  "Are you from Enoch?"
"No, I am not."
Eel's face grew serious, "Are you from... farther out?  Don't tell me you're from the Academe?"
"No," said Nick, but Candle nodded.
"I think she's from farther out," he said.
Eel folded her hands together and smiled at her, "well, how wonderful!  Of course it's wonderful.  All of mankind is welcome to come home to Outer Eden, even if they're just passing through for the Harvest Festival."
"What's the Academe?"  Nick asked.
"Pardon?"  Eel blinked.
"You seemed a little worried that I was from farther out than Enoch."
"Oh, well," Eel looked down, embarrassed.  "You'll excuse my mannerisms, I hope.  I didn't mean anything by it.  It's just that so often when we see people from farther out, they're almost always a little... confused."
Nick raised one eyebrow, suspiciously, "are people from the Academe... confused?"
"You don't want to hear about the Academe," Candle laughed.  "Come on, let's keep going!"
"Wait, what do I owe you?"  Nick asked Eel, before Candle could drag her away.
"Oh don't be silly!" Eel waved.  "We're all just sharing!  Besides, you're a guest of the Sethites!"
"Oh, okay!  Thanks!"  Nick and Candle waved goodbye and bounded off down another street.

Candle and Nick wove through several other streets, allies and intersections, and around every corner, Nick got another eye full.  She thought perhaps the distinct and beautiful flavor of the place could be attributed to the lack of mechanical manufacturing.  The roads weren't paved, they were laid with stones, and the houses and tents were impressive, but clearly made by whoever lived there, and without interference from city codes and regulations.  Every brick, every plant, every window, canopy and fire pit in this entire city was carefully put into place and adjusted by people who had to stare at it all day.  It was all so personable and cared for.  As they got closer to the river, the streets grew wider.  The gardens in the middle of the streets that bore fruits, vegetables, spices, and scented flowers, were offset by canals of water.  Small boats and buckets were tied to the stone railings, and people were rowing by, as an alternative mode of transportation to walking.  Most everyone, it seemed, were either out at an intersection trading goods, or outside the front of their houses cooking something at their fire pits.  The children were running amok if they weren't helping, playing games.  Sometimes she saw elderly people sitting in chairs by the fire pits as well, but one person did pass by her pushing a wheelbarrow with an elderly woman in it.

They came to a small bridge over one of the larger canals, which had an underpass, and Nick saw two young people around her own age, sitting by the water, in the middle of a long kiss.  Candle chuckled but averted his eyes and continued over the bridge.  Nick stared for a second longer before following, but stopped again when she saw the bridge's railing had frayed, multicolored ribbons tied all over it.  She reached out and touched the dangling parts.  None of the ribbons were terribly alike, and they didn't seem to be tied there in any particular order, just a simple knot each, so they hung down and waved around in the wind.  She wasn't even sure they were ribbons, they looked like they were torn off of other larger things.
"What are these for?" She asked Candle.
Candle turned around to see what she was referring to, "Oh those?  Sometimes young people, they are overcome with attraction, and they want to spend alone time together when they're not supposed to.  They sneak out in the dark of the night by candle light and they come here.  And the girls will tie these here as a memory, and supposedly only they know which one is theirs."
"Oh, that's cute," said Nick.
"It's trouble," frowned Candle.  He straightened up, and stepped closer to Nick, locking eyes with her.  "Children, they are impulsive.  And in the night, without getting their sleep, with no supervision and only the company of each other, they risk being given over to their passions and defiling themselves.  They risk irreparable stains on their future marriages, and creating chasms between them and their family."  He leaned in closer, a wide grin creeping across his face.  He touched a red ribbon and whispered, "this one is mine."
Nick giggled.
"My boyfriend and I are alone all the time," she said.  "Though our culture isn't the same as yours, so it doesn't... create chasms or anything.  We get left alone to make our own decisions, cause we're adults."
"That's incredibly irresponsible of your culture," said Candle.
"I wonder what he's doing right now," said Nick, unfazed.  "It's starting to sink in a little that I'm stuck here and I might not ever see my home again.  This place is so beautiful and interesting, and I'm having a great time.  And I think if I went home now, I'd be disappointed.  But also... what do I do?"
"You don't know how you got here?" Asked Candle.
"I have no idea," said Nick.  "And neither did the angel.  He couldn't zap me back home with his angel powers.  I might be here for good.  My boyfriend must be freaking out.  And my mom!  Oh, and my friends... I guess they're not freaking out, cause they're not born yet.  But they will freak out in a few thousand years."
Candle considered her words, and said thoughtfully, "I grieve with you.  Friends and family are a significant thing to be separated from.  I still think you are confused, and if I'm right, we will find your tribe.  But either way, you are home.  Eden is home to all mankind, and the farther we are from it, the more lost we get.  Both in space and in time."
"Oh give me a break, you can't even get in," Nick said defensively.
Candle hung his head, "I meant no offense, Nick of Time.  This is as close as we can get to the Garden.  And so we stay, so that we only get this lost.  It's not so lost."
"You're not any more in the Garden than I am, bub," said Nick.  "And I don't appreciate you judging my culture.  You don't know me."
Candle stepped backwards, smiled and bowed, "I apologize.  You are right, of course.  Let's keep going!  I want you to meet my family.  You can stay with us as long as you'd like."  He continued on, and Nick followed.

A few more blocks and bridges later, they stopped at a house that had stuff carved into the walls.  There were stone pillars in the front, and on the side, and some stone blocks, all covered in writing.  Nick tried to take a closer look; they had little boxes, lines, dots and angular shapes.  She blinked a couple of times; the script was completely legible to her, as though it were written in plain English.
"Man, the gift of tongues is really cool," she whispered to herself.

A woman sat in front of the house carving and chopping a barrel of vegetables, and passing them off to a little girl who sat next to her sorting them into baskets.  A small toddler, maybe one or two years old, was running back and forth; when he got too far in one direction, the woman called out, "you're going too far, love, come back!" and he'd laugh and turn around and run the other direction, until the woman called again, and then he'd get upset and scream for a second, before running back in the direction he ran the first time and repeating.

"This is my family!"  Candle bounded forward, proudly.  The woman looked up at Nick and Candle, startled.  Candle introduced them, "This is my wife, Sigil, my daughter, Vigil, and the baby is my son, Lantern!  Family, this is my new friend, Nick of Time!"
Nick giggled, "Sorry, you probably don't know why that's funny to me."
Sigil rose to her feet and put her carving knife and a carrot down on the stone in front of her, "Welcome!  Welcome!  Are you from Enoch?"
"Uh, no," Nick answered.
"She's from farther out," offered Candle.
"Oh," nodded Sigil, thoughtfully.
"I'm from the future," explained Nick.
"Oh," nodded Sigil, thoughtfully.
"You, uh..." Nick gestured back at their home, at all the writing.  "You write all this?"
"Some of it," Candle said, excitedly jumping.  "I'm practicing.  I'm going to become the next keeper of stories.  I have a long way to go before I'm as captivating as my great-great-grandfather, Kindle."
"You guys have a very obvious naming convention," said Nick.  "Is Eel's mother named Guppy?"
"Oh you met Eel!"  Sigil said, delighted.  "Lovely woman, I love her mud.  Her mother's name is River."

"Kindle is getting very old in age," said Candle, solemnly.  "But he's taught me a lot!  Look at this!"  He bounced over to one of the stone columns.  "This is an account of the seasons.  I transferred it from a tablet to this column, so that all the same seasons were on the same sides, and look!"  He pointed to two opposite sides of the columns.  "If you lay it out like this, you can track event patterns!"
"My husband, perhaps our guest might not be as interested as you in your stories," Sigil suggested, politely.
"It's okay, ma'am," Nick reassured her.  "My boyfriend is also a huge nerd."

Candle gave Nick a peak inside the small house, the walls of which were also covered in writings, while Sigil and Vigil went back to cooking.  Candle distractedly recounted a couple of half-stories before Nick offered to help the girls with the food.  Candle unloaded the apples and began to peel them.

After awhile, the sky began to dim, and the violet aurora grew more vibrant against the darker blue of the glass.  An older, heavier man wandered over to say hello.
"Candle, my friend!"  Greeted the man.
Candle smiled broadly and rose to meet him, "Logs!"
"His name is logs?" Nick asked to herself.  "I'm not sure I'm mature enough to take that seriously."
"Eel told me you were in the company of a foreigner," said Logs, gesturing at Nick.  "I take it by the strange clothing this must be her?"
"Logs, this is my new friend, Nick of Time," Candle smiled.
"Welcome Nick of Time!" Logs threw his arms up gleefully.  "A name as strange and foreign as your clothes!"
Nick rose to her feet, "Bold words coming from a man named Logs."

"How far out are you from?  You're not from the Academe, from the look of you.  I'd say... Lilith?"
"Never heard of Lilith," Nick replied.
"Hmm, don't tell me, I'll guess it,"  Logs scratched at his beard, thoughtfully.
"I'll bet you won't," Nick smirked.
"Wherever you're from, you chose a good year to come for harvest!  I hear they're bringing the relics out!"
"Ah the relics," Candle chuckled.
"What are the relics?"  Asked Nick.
"They're just a bunch of old artifacts the priests keep in the temple," Candle replied.  "They are holy to us, but some like Logs here make more fanfare of them than they are worth."
"Do not disparage them," Logs waved his finger at Candle, then turned his attention to Nick.  "I used to be like you.  I'm a Sethite, but I didn't believe in the stories of the Garden or the relics; they all seemed exaggerated.  So I left.  I traveled very far.  I spent some time at the Academe, even.  I got nostalgic and came back to visit one festival and they brought the relics out.  I saw them, I did."

Logs leaned in closer, smiling with his eyes, "I saw a woman was healed of her wounds by the Skull of Abel."
"Don't be ridiculous," scoffed Candle.  "You fill her head with these things, she'll get her hopes up about the nature of the artifacts.  They aren't magic."
"I'm sorry, did you say the Skull of Abel?"  Asked Nick.  "As in..." she mimed smashing a rock against someone's head and made a splat sound with her mouth.

"That's right, I saw it myself," Logs grinned.  "Big hole in the top and everything!"
"Ew," said Nick, matter-of-factly.
"You say ew, but those relics made me believe in the old stories again," Logs waved his finger.  "They made me believe in miracles too.  God still sees us.  And then there's the Seeds of Eden."
"What are those?"  Nick asked.
"They're seeds," Candle explained.  "They say Father Adam smuggled them out of the Garden when they were banished.  You see, Father Adam and Mother Eve, they were bade to eat of any fruit from any tree in the Garden, except for one: the tree of the knowledge of good and evil.  But they disobeyed and they ate of the forbidden fruit.  It was for eating this fruit that we are all exiled, and why we all die."
"That seems extreme," Nick said.  "What was so special about that fruit that God should punish all of you for your grandfather eating it?"
Candle sat back down, "My friend, knowledge is like swords.  If you have not been taught how to carry a sword, how to chop and cut, then you are likely to hurt yourself.  So it is with knowledge.  That is why knowledge must be bestowed prayerfully, never taken or stolen."
"Does that mean you don't know?" Asked Nick.
"It means it is not God who kills us," answered Candle.  "It is the fruit of the knowledge of good and evil taken unearned."

"But you still keep the seeds around?"  Nick asked.
"We offer them back, that is why they are seated in the Temple," Candle continued.  "But nobody, God or angel has come to claim them."
"We take it to mean that the knowledge of good and evil cannot be unlearned, just as its fruit cannot be uneaten," added Logs.

Nick thought about this.  She looked back up at Candle and asked, "have you tried planting them?"
Candle and Logs looked at each other, dumbfounded, then broke into abrupt laughter.


Nick and Sigil finished up the food while Candle and Logs became lost in high minded conversation she could barely follow.  Sigil didn't say much, but she offered to guide Nick through the festival as Candle would be shouldering part of the storytelling duties this year.  Lantern grew tired and fussy, and Sigil became occupied with nursing him.  They all ate as the sky grew dark.  The light flickered on the walls of all the buildings from the various fire pits, as well as from the giant sword on the angel statue.  Nick could look up and see the aurora still gracefully flowing like a river of purple.  'Nobody will believe me if I ever make it back,' she thought to herself.

They thought they heard a booming sound from off in the distance.  They shrugged it off, and continued talking, but then they heard it again, slightly closer.  They stayed quiet for a few minutes, listening.  When nothing else happened, Sigil suggested they get the children to bed.  Candle stood up and walked into the street, looking around.  A couple of men ran up the street in a hurry.  Nick stood up as well when she saw them.

"What is happening?"  Candle asked.
"Get the women and children inside," said one of the men.  "Tubalcain has come to the Temple."
"Tubalcain?"  Candle asked, perplexed.
"He has brought with him large weapons of iron, and giants."
"Nephalim?  Here?" Candle stiffened up, and ran back over to the fire pit.
Sigil scooped up Lantern, and started to usher Vigil inside.
"Did he say giants?" Asked Vigil.
"Hush now," Sigil reassured her.  "Let's get inside.  We will be alright.  God provides."
"Sigil," Candle said.
"I heard," said Sigil.
"Kindle is at the Temple.  I have to go."
She turned back around to look at him, fearful.
"Get the kids to sleep.  Keep Nick safe.  I will return."
"Don't you go rushing into unnecessary danger, my Candle.  You stay."
"I can't."
"I will go with him," Logs rose to his feet.
"Neither one of you are soldiers," Sigil protested.
Candle put his hand on Sigil's shoulder, "Logs will come with me.  We will not approach.  We will stay out of the way and find my grandfather.  When I am satisfied he is safe, I will return."
Sigil looked like she was going to protest more, but instead ushered the children inside.  Candle and Logs wheeled on their feet and made their way down the street.

Nick stood alone in stunned silence by the fire for a minute.  She looked back at the house, then back at the street.  "Giants," she whispered to herself, "well I'm not gonna miss that, am I?"  before taking off after Candle and Logs.

She bounded down a couple of streets in the direction she saw them leave, and had to stop and look around.  She assumed she was quick enough to catch up to them, but the streets were dark, and she didn't know what turns to take.  'Am I lost?'  She asked herself.  She turned and saw the big, flaming angel sword in the sky and smiled, "I'll just meet them at the Temple then."

She tried to run as quickly as she could, but she could barely see.  The sword only illuminated so much, and the aurora's glow didn't seem to help at all.  She would occasionally come up on a pillar of smoke rising out of a fire pit that had recently been snuffed out in a hurry.  She almost fell into a canal a couple of times, and at one point, she ran down an alley that led to a dead end.  Eventually, she reached an intersection, and saw men running toward the sword with torches that lit up the street.  She followed them, trying not to be noticed.  They emptied off of the street into a large courtyard, decked with tents, packed with people.  She could see towering above their heads, the Temple, as big as any cathedral.  Towering above that was the angel statue; the fire light from the sword cast upwards on its face making it look ominous and foreboding.  She pushed her way through the mob, trying to find Candle.

Once she got close enough to the front, a large silence hit the crowd.  She peaked between shoulders and saw what looked like several large cannons aimed straight at the temple.  'They didn't invent cannons yet,' she thought.  'What is this?'  The cannons were on wheels, dragged by humongous, bulky, giant men.  They almost looked like ogres, with long, red hair, elongated heads, and deformed faces.  They had almost comically bulbous, muscled, hairy bodies, and wore nothing but a loin cloth and sandals.  Along the feet of the cannons were regular sized soldiers carrying lances, swords and spears.  A gangly looking man in a tall, woolen hat, and pointy shoulder pads climbed on top of the on of the cannons.  He lifted what looked like a megaphone to his lips and began to address the crowd.

"Do not panic!"  He roared.  "You will all be safe, so long as your priests comply!"

The doors to the Temple opened, and more soldiers came out.  They pointed their spears at old men in robes with long beards, as they carried a table out of the Temple and into the courtyard.  Nick started making her way closer to get a better look.  A soldier brought an old man bound in ropes in front of the cannon the gangly, pointy man was standing on.  He stopped talking in the megaphone, but both men were shouting at each other, and she finally got close enough to make out some of what they were saying.  The people in the crowd were frightened, being kept back away from the cannons by soldiers, and she couldn't get in any closer.

"Your struggle is useless, old man!"  Growled the pointy man.  "The relics are ours now!  They will be brought back to Enoch!"
"I don't understand you, Tubalcain!"  The old man shouted back.  "You could have come any time!  We have always welcomed the Cainites in Outer Eden!"

A murmur of welcoming agreement waved through the crowd of Sethites.  Tubalcain shot a glair across the crowd, and hopped off of the cannon to address the old man on the ground level.

"You are an old fool to think you can welcome us here!"  He growled.  "You yourselves are not even welcome here!  This is a cursed land!"
"This land, we offer to God-"
Tubalcain grabbed the old man by the hair and screamed in his face, "THIS LAND YOU OFFER TO A FALSE GOD, DO YOU NOT SEE THAT!?"  He cast the man to the ground and climbed back onto the cannon, pulling up his megaphone.  "Sethites, my brothers and sisters!  Here me!  You think we have abandoned God, but it is God who has abandoned us!  We are exiled from Eden, and we toil and we die!  Behold, you stand at the door and knock!  Does anyone answer?!"  The Sethites remained silent.  "HAS ANYONE!  EVER!! ANSWERED!!???"  They still remained silent.  He continued, "Our people now die, and your God does nothing!   He either cannot or will not do anything!  Therefore he is either a powerless god or an evil one!  But I bring to you news of the new gods!  Behold!  Our new gods have promised us conquest!  Azazel has given us knowledge of the mysteries of the universe!  He has built for us mighty cannons!  The Watchers have granted the wombs of our women the gift of mighty giants!  With them, we will subdue the Earth from here to the realm of the Leviathan!  But first, we will have your relics!"

Tubalcain hopped back down from the cannon, and began to walk toward the table.  He halted, spun back around, and shouted, "And kill this old man!"
A soldier moved toward the old man and drew his sword.  Someone screamed from the Sethite crowd.  Nick looked over and saw that Candle had shoved passed the soldiers and lept between the old man and the pointy end of the Cainite sword.

"Who is this?"  Tubalcain pointed, annoyed.   "Please move."
"This is my grandfather," Candle said.  "You cannot kill him.  He is a good man.  The murder of a good man is cursed."
Tubalcain walked slowly toward Candle, calmly and thoughtfully, "Oh, child.  If Cain killed one man and was avenged sevenfold, I will be avenged seventy-sevenfold."  He jerked around to face the angel statue and shouted at it, "DO YOU HEAR ME!??  WHAT WILL YOU DO!?  WILL YOU CURSE ME!!??  WILL YOU BRING YOUR FLAMING SWORD TO ME LIKE YOU DID TO MY GRANDFATHER'S OFFERING!?!?"

The angel statue did not move.  "I thought not!"  Tubalcain snarled, turning back around.  "The skull of my grandfather's vanquished foe belongs to me, and I will take the seeds as well!  We are no longer offering them back to God!  Kill the old man, and his grandson too!"

"Hold it!"  Nick shouted as she jumped onto the relics table.  Everyone turned to look at her.  Somehow, she'd slipped passed the guards unnoticed.
"Another one?"  Tubalcain groaned.  "Does everyone here want to die to-day?"
The soldiers began toward her.  She swallowed hard, "Um... Don't kill them, because..."

She looked down at the relics.  She picked up the skull and tossed it into the crowd of Sethites, causing an immediate panic.    She took the opportunity to scoop up the seeds and jump back into the crowd, disappearing in the chaos.  Tubalcain and the soldiers ran toward where the skull was thrown, the giants stayed in place watching the fiasco.  Candle seized the opportunity to frantically untie his grandfather.

Tubalcain emerged back into the clearing, holding the Skull of Abel above his head, shouting for everyone to calm down and maintain order.  He instructed a soldier to grab the seeds, and upon discovering they were missing, a panic once again broke out in the crowd.  Nick had a hard time shoving her way through the mob.  She had to find Candle and get out of there.  A soldier grabbed her by the arm, and she couldn't break free of his grip.
"I have her!" He yelled.  Tubalcain once again called for order, this time less successfully.  He gestured at a giant, who fired a cannon at the Temple, blowing off one of the spires.  Everyone fell silent.  The soldier brought Nick, struggling, up to Tubalcain.
"Give me those seeds, girl," he snarled.
"What, these?" She said as she popped them into her mouth and swallowed them.
His eyes grew wide.

There was an audible gasp from everyone in the crowd, including the soldiers, followed by frantic murmuring.

Tubalcain leaned in to her face, "who are you?"
She didn't answer.
"WHO ARE YOU!!??"  He screamed in her face.  "Who are you, little worm, that you should desecrate the holy relics!?  That you should throw the Skull of Abel and swallow the Seeds of Eden!?"  He bit his knuckles, and looked like he was going to cry.   "You've managed to make yourself an enemy of both the Sethites and the Cainites to-night.  What do I even do with you!??"

"Feed her to the Leviathan!"  Someone shouted from the soldiers.
"Who said that?" Tubalcain asked.  "Come out here!"
One of the soldiers, a big man with a strong frame stepped forward and knelt before Tubalcain.
"What is your name, young man?"
"I am called Pattern, sir," answered Pattern.
"Pattern," Tubalcain repeated.  "That is an excellent idea.  Will you escort this witch to the Edge of the Earth to be swallowed by the Leviathan?"
"I would be honored to be entrusted by Tubalcain with this task, sir," Pattern answered.
"No!"  Candle ran out of the crowd between Pattern and Nick.
"You again!?"  Tubalcain spat.  "Hasn't anyone killed this man yet?  Why is he yet alive to interrupt my murdering for a second time?"
"Please," Candle pleaded.  "She is not a Sethite.  She has never been here.  She is my guest.  She does not know the significance of the relics.  Take me in her place."

Tubalcain leaned in, "you know I can't spare her.  Her body is a temple of death now."
"They were only seeds," Candle pleaded.  "We have to have faith that our God is a God of mercy and understanding.  She should not be punished for her ignorance."
"None of us should be punished, neither for our ignorance nor our understanding," he snarled back.  "Yet here we all are, dying in the streets, unable to reenter the Garden and eat from the tree of life.  Pattern!  Rise and bind this man, and the girl and escort the both of them to the Edge of the Earth to be swallowed by the Leviathan.  Sacrificing his life to spare a sinner makes him complicit to her sin.  Stop in Enoch for supplies.  Tell them what happened here to-day.  Tell them Tubalcain sent you."
Pattern rose, and with the help of other soldiers, bound Candle and Nick up with rope.

Tubalcain climbed back onto a cannon and somberly addressed the Sethites through the megaphone, "My family, my brothers and sisters.  To-night there has befallen us a tragedy.  A wicked witch has consumed the Seeds of Eden.  Let us take this opportunity to come together in unity, for we are of one Earth.  Let these things be my gesture of good faith.  We will take the Skull of Abel, and withdraw our giants.  This week, we will both celebrate the Harvest Festival, both the Sethites and the Cainites.  One last time.  My soldier, Pattern, has volunteered to escort the witch to the End of the Earth, to be consumed by the Leviathan.  We will leave for one year.  We and our Nephalim will conquer other lands for the Empire of Cain.  We will bring our whole family back together once and for all.  We will return here in time for next year's harvest to seize this land last.  If your God has not removed the angel and opened the gates of Eden in that time, we will lay siege to the walls and break in by force."

At these words, he hopped off the cannon and gestured for the soldiers and giants to retreat out of the city.  Pattern followed suit, dragging Candle and Nick along behind him by the rope.  Candle looked backwards as they left, to see the Temple had caught fire where the spire used to be.  He smelled the smoke, and faintly heard the murmurs and sobbing coming from the Sethites as they were left to pick up the pieces.
"What have you done?" Nick whispered at Candle, loudly.  "It could've just been me!  It didn't have to be you!  You have a family!  You have children!"
"I did the right thing to do," Candle whispered back.  "Maybe I can find a way to free us.  I have faith in God."
"Quiet back there," Pattern barked, yanking the rope.






-


--Enoch City

Nick mostly saw black interrupted by flickering torchlight ahead of her.  It didn't illuminate much, but Pattern knew to follow the lights as he tugged her and Candle forward.  She could see the silhouettes of the hilltops - as well as the tops some of the giants that lumbered ahead of them - against the dark blue sky.  At this time of night she could see the stars glowing through the glass, still visible cleanly enough, though the aurora gave many of the lights rainbow colors, resulting in an oddly Christmas-y aesthetic. 

The Cainites reached the end of the hilly area, and came upon a camp they must have set up in the open field before marching into Outer Eden.  The giants pulled the cannons to the edge of the camp and looked for places to sit, while the soldiers found their tents and started building fires.  Pattern guided Candle and Nick to a tent, next to a sitting giant, and told them to wait there as he gathered a bag from inside. 

Nick looked up at the giant, who was staring back at them.  She could barely make out his disfigured face, but she could smell his musk.
"Hello," she said, nervously.
"Don't talk to the Nephalim," Candle whispered.
"Hello, young lady," answered the giant, in a deep, surprisingly quiet voice. 
"See, he's friendly," Nick whispered back.  "How are you?"  She asked the giant.
"I am very well," answered the giant.  "I was able to fire a cannon at a temple to-day.  You are very lovely and very friendly."
"Aww, thank you," said Nick.
"I hope it isn't out of line for me to suggest your womb would make an ideal host for more Nephalim?"
"I'm sorry, what?"  Nick blinked in shock.
"You see?"  Whispered Candle.
"You are strong.  Good musculature and child-bearing hips.  Will make good strong Nephalim sons as an offering to the gods for conquest."

As he was talking, another giant lumbered over and addressed him, "this woman is the witch who swallowed the Seeds of Eden."
"Really?" The first giant reacted, surprised.  "I apologize.  It was very dark.  Never mind what I just said.  You are lower than the worms that writhe in soil.  Your body is a temple of death, and your womb is an unfit vessel for the Nephalim.  You will only bear plague and locusts, and the milk of your teets will be as poison."
"Now you listen here-" Nick began to tell the giant off, but the other giant interrupted.
"I don't see why we don't just cut her open and retrieve the Seeds from her stomach."
"That is good plan," agreed the first giant.  "It would be a mercy for her.  A fate of less suffering than the cursed life she is fated with now."

Pattern emerged from his tent with a bag strapped to his belt, "Prince Tubalcain himself has given the order to have her delivered to the Leviathan.  We will do no differently."  As he said this, he picked up the rope and pulled Nick and Candle away from the camp and toward the forest.

"Is that giant accurate?" Nick asked.  "Am I really going to give birth to locusts?"
"No," said Candle.
"Yes," said Pattern. 
Nick thought for a minute, then asked, "do I have to wait nine months like a normal pregnancy?  Or do they just shoot out randomly?"
"They're old fruit seeds.  They aren't locust eggs," Candle explained.  "And besides that, your stomach is not connected to your womb."
"He's right," Pattern agreed.  "The locusts will come forth from your buttocks."
"It is not so!"  Candle protested as Pattern laughed. 
Candle  turned back to Nick, "I don't know for sure if the seeds will be harmful to you in some way.  I have faith that God will understand and see us through this.  I believe the curse of the fruit was in the disobedience and thievery, not in the actual fruit."
"But you don't know for sure?"  Asked Nick.
Candle looked down at his feet as they walked.

After awhile, Nick said, "well... it can't be worse than the curse wrought on you Cainites for fraternizing with demons and false gods, and pumping out those giants."
Pattern laughed again.
"What's so funny?"  Asked Nick.
Pattern turned around and faced Candle, "would you like to tell her, or should I?"
"Tell me what?"  Nick asked.
Candle glared at Pattern silently.
Pattern continued, "or better yet, let's take a pit stop on our way to Enoch.  I'm thinking... Tartarus?"
Candle glared harder.
"What's in Tartarus?"  Asked Nick.
"That's where the Sethites keep their Nephalim," Pattern said, smugly.
"Woah, wait, the Sethites have giants too?!"  Nick looked bewildered at Candle.
"Oh ho!"  Pattern clapped his hands together joyfully.  "The Sethites were the FIRST to have giants!  Go ahead, tell her why."

Candle looked at Pattern, then at Nick, then back at Pattern, then finally answered, "It was not a proud moment for us.  In the generation of Jared, who built the city at Outer Eden, we were under attack by King Lamech's father Methushael.  Tubalcane is the prince of Enoch, Lamech is his father, the king, and the king before him was Methushael, 'who kills the peace of God'.  Methushael saw that Outer Eden had become a prosperous city under Jared, and sought to conquer it.  We became fearful, and the Watchers promised us military victory in exchange for the marital covenant of some of our daughters.  We did not understand that this too was a covenant, not of love, but of conquest against the family of God, and we shamefully agreed."
"No, no!"  Pattern interrupted.  "Not shameful!  Brilliant!  Inspirational!  Your Nephalim, your mighty men of old, your heroes, your Titans, they drove us back!  It took the Cainites two more generations to strike that kind of deal!"
"Why?"  Nick asked.  "Were the Sethite women sexier?"
"No," answered Pattern.  "... actually I am not sure why."

Pattern turned back around and continued toward the forest. 
"Why are we going through the forest of Nod?"  Candle asked. 
"It's a shortcut," replied Pattern.  "And maybe one of my traps has caught us some meat."
"We could just go through the apple orchard," Candle suggested.
"Blech," Pattern stuck out his tongue.  "One would think after all the trouble, you Sethites would lose the taste for fruit."

The cobblestone path stopped at the edge of the trees, and there began a trail cleared through the bushes.  The canopy of tree-leaves obscured the sky, and made the forest all the darker.  The only light came from Pattern's torch, which illuminated so little, Nick wondered how he knew where he was going.  The sound of nocturnal wildlife freaked her out.  'They're just crickets," she told herself.  'But what AREN'T you hearing?' She answered back at herself, involuntarily conjuring images of wooly mammoths and sabre toothed tigers and other prehistoric predators that she thought might've still existed at this point in history.  As they rounded a corner, Candle stepped on a stick and snapped it, which was answered with a growling sound.
"What is that, a wolf?"  Nick whispered.
"That would be delicious," Pattern answered.  "Whatever it is, it's coming from my pit.  Come on."
He pulled them forward to the edge of a large hole in the ground.  He leaned in so that the torch light could reveal the catch.  At the bottom was a man with a dog's head.  He was wearing a red tunic, and his leg was injured on one of several wooden stakes pointing upward out of the ground.  When the dog headed man saw Pattern, his ears bent backwards, and he started whining like a dog, clutching his wound.
Pattern furrowed his brow, "Is that a Bar-Bar?"
"Whaaaaaaat.....?"  Nick was more confused than ever.
"A Bar-Bar," Candle explained.  "A Cynocephali.  A dog-headed man.  What's a Bar-Bar doing out here?"
"I don't know," Pattern shrugged.  "Well, we can't eat that."
"What.... what is it?"  Asked Nick.  "I don't understand what I'm looking at here.  Is he a human?"
"No," said Candle.  "He's a Bar-Bar.  He is not a son of Adam."
"But he's wearing clothes," Nick pointed.
"Yes, they're very intelligent beasts, aren't they?"  Pattern said, beginning to tug the rope backwards from the hole.  "Unfortunately they're completely wild, untamable, and inedible.  Utterly useless in every sense of the word.  Come along."
"Wait, are we just gonna leave him here to die?"  Nick rebelled, horrified.
"Yes we are," Pattern answered, impatiently.
"But..." Nick pulled back on the rope, hard, making it a struggle for Pattern to drag her forward.  "BUT!"
"What?" Pattern finally stopped.
"But he's hurt and he looks so sad!"  Nick pleaded.
"What?" Pattern asked puzzled.
"What?" Candle was equally puzzled.
"Come on guys, he's hurt," she begged.  "We have to pull him out and stop the bleeding!"
"But... why?"  Pattern scratched his head.
"Because he's huuuurrrrt!"  Nick cried.
Pattern and Candle looked at each other.  Candle shrugged.
"If he bites me, I'm going to chop your hand off," Pattern said.
"He won't bite!"  Nick promised.  "Will you?"  She asked the Bar-Bar.
The Bar-Bar said "Bar-Bar!"

"No, you have to say you won't hurt him," said Nick.
"Bar-Bar!" said the Bar-Bar.
"That's odd," Nick said.  "Why can't I understand him?"
"Because he can't talk," said Candle.  "He just barks like a dog.  That's why we call them Bar-Bars."
"But I have the gift of tongues," argued Nick.
"How many?" Pattern asked. 
"How many what?" Asked Nick. 
"How many tongues do you have?" Pattern asked.  "And where do you keep them?"
"No, I mean I can speak any language," explained Nick.
"What do you mean any language?" Candle asked, sincerely interested. "What other languages are there?"

"I dunno, " Nick shrugged. "French?"

Candle and Pattern looked at each other.

Pattern asked,  "are you speaking another language right now?"

"Just help me get Bar-Bar out."


Pattern sighed and threw his end of the rope down into the pit.  Then he grabbed the other end, where Candle's wrists were tied, and he and Candle pulled Bar-Bar out of the pit.  Candle lowered himself with his palms out, gesturing that he meant no harm.  Bar-Bar whined and let him pull the wooden piece out of his leg.  He then pulled a couple of large leaves off of a nearby bush, let Bar-Bar lick the wound a couple of times, before compressing the leaves onto the wound.  Nick tore off the leg of her sweatpants, at the knee, and wrapped it around Bar-Bar's leg, with the leaves still on it, tying it off into a bandage. 


Pattern picked up the rope, "Okay, that's enough.  Let's go."


Candle and Nick followed Pattern silently through the woods.  After a minute, they became aware that Bar-Bar was following as well. 


Pattern turned around, "We acknowledge your gratitude, beast, but you owe us nothing.  Please do not follow us."


He turned around and continued forward, but the Bar-Bar continued to follow, wagging it's tail, and limping.

"He's going to follow us all the way to Enoch, isn't he?"  Pattern groaned.
"Can we keep him?"  Nick asked.
"This is what charity awards you," complained Pattern.  "The prolonged company of the pitiful."  
"Bar-Bar!" Said Bar-Bar, happily.


They came upon the edge of the forest and the beginning of the long, flat, empty stone field.  Nick once again gawked at the City in the distance; the monolithic walls, the sphinx gargoyles, the sparkling white pyramids poking out from behind.  Now that it was night, she could see that the city was illuminated with colored lights.  It took them a long time to walk up to the wall, and the closer they got, the more monolithic and awe-inspiring the walls were.

They rounded the corner, past two sphinxes, which also took quite awhile, and came upon two closed gates; one for giants, and one that was of normal size.  There were guards on top of the wall.   They saw Pattern and paid no heed as he walked through the gate with the other three in tow.

The City of Enoch was magnificent on the inside, if oddly empty and quiet.  Nick reasoned that it must be the time of night.  The windows were all dark, but the streets were lined with poles that held lanterns that burned with fires of all types of different colors.  The ends of the streets were also strung up with hanging lanterns.  The buildings were elaborate, of large stones, and enormous, decorated columns.  There were high bridges, walkways from building to building.  Some of them were enclosed like smaller, hanging buildings, with windows.  As they traveled from street to street, Nick noticed besides the distinct lack of people, there was also a lack of other life signs.  There weren't any hanging clothes-lines, or fire pits, or smoke of any kind coming from chimneys.  There weren't smells, except a strange, faint copper and sulfur smell.  There were no plants, not even weeds or blades of grass poking out between the stones in the streets.

They came to a courtyard in front of a circular building with domed ceilings, lined with pillars.  It looked vaguely Roman.  When they came to the door of the building, there was a soldier sitting with his back against the wall. 

Pattern said, "sir, I am on a mission from Tubalcain."
The man stood to his feet and looked everyone over.
Pattern continued, "I have been sent to gather supplies.  I am to take these two to the edge of the Earth to deliver them to the Leviathan."
The man's eyes widened, "The Leviathan!  This must be serious!  What guilt they must have on their heads to incur such wrath!"
"They deserve it," Pattern said. 
"And what of the Bar-Bar?"  Asked the man.
Pattern looked at Bar-Bar, who wagged his tail at him happily.
"I... I don't know.  Don't worry about him.  You  are to take this rope, and wait with these two while I go in and gather supplies."
"Yes, sir," said the man, as he took the rope. 
Pattern disappeared through the doors, and the man sat back on the ground, holding the rope.

Nick leaned into Candle, "We could probably overpower this guy."
"I wouldn't," said the man.  "I have two guns."
"Guns?"  Nick looked hard at him, confused.  "You shouldn't have guns yet."
"Azazel has blessed us with much," said the man, pulling out two objects from his belt.  They didn't look like what Nick expected guns to look like.  They were silver and gold, they were held by rings, and there was a lever along the side. 
"This one will kill you," the man pointed at the silver one.  "The other one I fire into the air to alert the giants that there are hostile foreigners in the city.  You will not survive."

"Okay,"  Nick sighed.
"Look at this," said Candle, who was distracted by writings on the wall.  Nick looked over and read was he was pointing at. 

"The Psalm of Lamech:
Adah and Zilla, hear my voice;
You wives of Lamech, hearken unto my speech:
For I have slain a man for wounding me,
And a young man for hurting me.
If Cain shall be avenged sevenfold,
Truly Lamech seventy and sevenfold."

"That's what Tubalcain said to me," said Candle.  "I didn't know he was quoting his father."
"What's all this?"  Nick pointed at the writing next to it.
Candle looked it over, "it looks like some kind of statement of vision for the Cainites.  It has a backwards version of our history in it.  I suppose it's a functional Cainite genealogy though.  It lists only the patriarchs since Cain all the way to Lamech and then, bafflingly it starts listing Lamech's wives and several of his sons and daughters.  Tubalcain, Jabel, Jubal, Naamah..."
Nick started reading from the top, but didn't get very far, "hey, this is weird.  At the top, the way that it talks about the Serpent - I assume it's talking about the serpent in the Garden that tricked Eve? - It says here the Serpent was a hero, who staged a rightful coup against the false god for the freedom and liberty of humanity."

Candle scoffed, "This is all backwards nonsense.  The Serpent is not a hero.  The Serpent is the reason we all die."
"I thought it was the act of eating the fruit?"  Asked Nick.
"It was the disobedience to God," corrected Candle.
"Really?"  Nick stepped in front of Nick and looked him square in the face.  "First it's not God that kills you, it's the fruit.  Then it's not the fruit that kills you, it's the act of eating.  Then it's the Serpent's fault.  Now it's disobedience that kills you.  Do you even know what really happened?"
"Do you?" Candle shot back.
Nick thought hard, trying to remember her Sunday School lessons about Adam and Eve.  She remembered the colorful, cartoon illustrations in the children's book her teacher was reading from, but nothing substantial. 
"Well..." she stammered.  "They lied about it afterwards, didn't they?  Adam blamed Eve, who blamed the snake?"
Candle nodded, and continued to listen.
She had nothing. 
"Maybe it's just sin in general," she finally guessed, sheepishly.  "Maybe none of it is the reason.  Maybe it's just entropy."
"Actually," said the guard, still sitting on the ground with his back to the wall.  "The reason we die is because the tree of life is still in the Garden.  Your false god got mad at Father Adam for taking his inheritance too early, and cut us all off.  Your Sethite god is evil.  We are who he made us, and so we can only prosper through rebellion."
"Now you listen here-" Candle was cut off by Pattern, who emerged from the door with fully loaded bags.
"Each of you carry one on your back," he said.  "There is food, blankets, a tent, and other provisions for the journey.  I have the weapons in mine."
Pattern tossed a bag to Nick and Candle, and began fastening a third one to his back.  He looked up at Bar-Bar who was staring back at him with his tongue out, wagging his tail.  Reluctantly, he handed Bar-Bar a fourth bag.  Bar-Bar took it and fastened it to his back.
"Bar-Bar!" He said.
"Okay," Pattern nodded. 
Pattern replaced the rope to which they were tied, with something like soft handcuffs, attached to a different kind of rope; one that was white and somewhat more elastic.  He attached the other end of the rope to his own belt, so that his hands were free.  The four of them began to work their way through Enoch, a different route than they came in.  The buildings were very beautiful, but very large, and close together, giving every street an alleyway vibe.  They twisted and turned, and went up and down flights of stairs.  They came up to the top of a high bridge that looked over most of the buildings, and Nick could see the pearly pyramids closer up.  It was hard not to gawk at them.  The Sun was starting to rise, causing the aurora to pop.  The colors bounced off of the pyramids casting a dancing aura on and around the pearly white outer layer.  Pattern paused for a moment to let her gawk, then tugged the party along by the rope. 
They went up another flight of stairs, and came upon what looked like a strangely shaped monorail trolley.  It had a metal sphere on a thick antenna sticking up from both ends, and large, flat panels.   
"What kind of weapons do you have?" Asked Nick.
"Enough that you shouldn't go poking around," said Pattern.
"I know, but I'm curious," said Nick.  "Do you have guns?"
"I have a gun," responded Pattern.  "And two grenades, and knives, and more rope.  And some other things."
"Grenades?"  Nick reacted.  "You're definitely not supposed to have grenades yet.  Or guns, or cannons, or... megaphones."
"Azazel has blessed us with much."
"Who is Azazel?"  Asked Nick. 
"He's one of the Watchers," Candle answered for him.  "A pantheon of the angelic host who fell with the Serpent."
"Is he?"  Nick scrunched her nose.  "Well, he's blessing you Cainites with an awful lot of future technology.  Hey, maybe that's why I'm stuck in the past!  Maybe this Azazel guy is a time-traveler, and he's creating paradoxes!  Maybe I got sent back here to stop time from collapsing!"  
"What?"  Pattern looked at her confused.  
"She's from farther out," Candle tried to excuse her.  "She's a little confused."
"Where can I meet this Azazel?"  Nick asked.
"You cannot get an audience with Azazel," insisted Pattern, yanking the rope.  "We are going to the edge of the world for you to be swallowed by the Leviathan.  Come on."
They entered the trolley, and worked their way to the back, past a small number of other standing people, holding onto bars along the walls, who paid them no heed.  At the back, there was a small space with a goat tied to the bar, and one other man in handcuffs.  Pattern tied Candle and Nick to the bar, and Bar-Bar sat on the floor next to them.  Pattern then walked a few paces up, and found a place to stand before the trolley started moving.  Nick watched out the window as the sun continued to increasingly illuminate the pyramid in its stunning light show.  Candle noticed a transparent pipe of some kind of liquid running along the length of the trolley wall.  When the trolley took off, the bubbles inside started to flow through the pipe.  There was a distinct quiet to the trolley; no motor sound, no electrical hum, only the sound of the wheels running along the tracks beneath them, and the sounds of life coming from the people and the goat.
"Beautiful, isn't it?" said the other man in handcuffs. 
Candle and Nick looked up at him.  He was gangly, with a big nose almost like a bird beak, and a large, concave straw hat.  His clothes were beat up, and stitched with what looked like shoelaces. 
"I can tell you are from out of town.   I don't know how your captor managed to tame a Bar-Bar," he gestured out the window.  "The pyramids are still one of the best parts about living in Enoch.  It is best for you to get an eyeful now, before they find a way to make it ugly," he tipped his hat.  "They call me Screwless, by the way."
"My name is Candle," said Candle.  "This is my friend Nick of Time."
"I'm from the future, and my womb is filled with locusts," said Nick.
"Gosh, I thought I was Screwless, but maybe you're the one who's Screwless," said Screwless.
"What do you mean by finding a way to make it ugly?" asked Candle.
"I shouldn't say," Screwless's eyes darted around the trolley.  "Talking to much about it is why I am tied up in the first place."
"Well now you HAVE to tell us!"  Said Nick. 
"It's just that people get a little defensive, as you can see," Screwless lowered his voice.  "I'm just trying to say what I see."
"I'm from Outer Eden," said Candle.  "If that helps.  We won't get defensive.  We're going to die soon anyways."
"Right, right.  Well, here's the thing.  Look out the window." 
Candle and Nick obliged.  Bar-Bar sat up and peeked out the window as well, pressing his nose against the glass and sniffing. 
Screwless continued, "we are pretty near the center of town now.  You can see all these old buildings.  Beautiful work.  Look at that big one there.  Lots of detail around the windows.  Carvings, intricate designs, and they're all built to last hundreds of years.  The sculptures and pillars are filled with Cainite history too.  All these old buildings are filled to overflowing with Cainite culture.  Now look at all those ugly ones up ahead.  Big, lazy grey boxes with boarded up windows.  You can see that vandals have painted vulgarities on them over the years.  But you can also see it was ugly before the vandals ever got there.  Now look at that big building with the glass wall.  I can tell you, I've been in there, they've got these big machines keeping the place cool inside.  They have workers around the clock maintaining these machines, or else the sun will shine through the windows and cook everyone inside alive.  And do you know what all this is for?"
"Um," Nick started to guess, but Screwless leaned in and cut her off.
"Cultural erasure!" He whispered loudly, eyes darting around to see if anyone else heard or reacted.  Nobody did.  He continued.  "It's those cursed Nephalim.  Everyone loves the Nephalim, everyone thinks they're wonderful, that they're the future of humanity.  But I know the truth.  Those giants don't care about humanity at all.  They're out there, supposedly conquering the world and bringing them here to be Cainites.  But for what?  What's the point, if they're tearing down our monuments and our heritage?  What do those giants know about being Cainites?  Does Cainite mean nothing to them?  Of course not!  As soon as they're done conquering everyone else, they're going to turn around and conquer us!"    
Candle listened patiently, eyes trained on him as he talked.  Nick was still staring out the window.
"Now they've got me tied up," said Screwless.  "It's censorship, that's what it is.  They're locking me up for making too much sense.  You believe me, right?"
Candle folded his hands thoughtfully, "the Nephalim are abominations.  They have no concept of what it means to be God's children.  They do not inherit his likeness, and so they would not inherit His regard for divine or transcendent beauty."
Screwless scoffed, "oh, right.  I forgot you Sethites are religious nuts.  Believe me, Sethite, God isn't coming to the rescue.  He never has and he never will.  Neither will Azazel.  The only hope we have is if we cast these giants out ourselves.  And there's no hope in that either because..." he lifted his wrists to gesture his head at his handcuffs.
"If you've got nothing to do with your hands," answered Candle.  "You might as well pray."
Screwless scoffed again and lowered his hands.
'Conspiracy theorists sound the same no matter where you go,' thought Nick to herself.
They stood in silence for awhile, staring out the window.  Nick noticed, now that Screwless had pointed it out, there did seem to be an odd smattering of clunky, modern looking box buildings peppered almost randomly amidst the big, Roman looking architecture.  The trolley ducked down a couple of levels, and for awhile they watched the buildings whizzing past between stops.  More people were out and about as the morning sun came fully alive through the glass sky; more people were trickling in and out of the trolley.  By the time they rose back up to the next layer, the pyramids were off in the distance, their peeks poking out above the skyscrapers.  Bar-Bar had fallen asleep; Candle and Nick felt like they aught to grab a nap while they could as well. 
They awoke in the afternoon to the trolley stopping, and some of the other passengers groaning.  Nick rubbed her eyes and looked out the window.  The city-scape looked mostly the same, but for a few buildings to one side that had big smoke stacks pouring black clouds into the air. 
"See, this is what I'm talking about," groaned Screwless.  "Those stupid buildings were built by the Nephalim to build weapons in.  But whatever they're burning in there is radiating out and interfering with the trolley's power source.  And they don't even care, because they are giants and they can't fit in here.  So now we all have to transfer to another track that goes all the way around the dead zone."
Pattern worked his way back and untied the two.  Another soldier followed him and untied Screwless.  The second soldier eyeballed them, "my prisoner hasn't been filling your head with nonsense ideas, has he?"
"Viva la revolution," said Nick.
Pattern bonked her on the head, and dragged the two of them out of the trolley.
"It's a little walk to the next trolley," Pattern informed them once they were outside.  "We may as well eat some food while we're here.  Luckily, I am your captor, and I happen to know the best food in the city."
"Is it fast food burritos?" Asked Nick.
"W-what?"  Pattern blinked.  "What is that?"
"They're terrible," said Nick.  "They're a food from where I'm from.  I'm craving them right now."
"They're terrible, but you're craving them?"  Asked Candle.
"Maybe it's because I'm homesick.  Or maybe it's pregnancy cravings."
"You're pregnant!?" Pattern stopped walking and looked hard at her.
"Yes, with locusts," answered Nick, condescendingly.  "Did you forget?"
Pattern groaned with relief and continued walking.
"You're really hung up on that womb of locusts thing, aren't you?"  Candle asked.  "You do know there are no locusts in your womb, right?"
"I think I'll name them Pattern," Nick giggled, rubbing her belly. 
"I will cut your tongue out," threatened Pattern. 
"You can't do that," protested Nick.  "I have the gift of tongues."
"Is that what that means?" Asked Candle.
"It perplexes me that your mouth can be blessed while your stomach is yet cursed," said Pattern.
"You'd understand better if you'd ever had a fast food burrito," said Nick.
The four walked a few blocks, passing by various shops and stands, before coming to a hole in the wall.  Pattern lead them inside, and were met with the smell of burning chicken and honey.  There was a burly bearded man wearing goggles at a table, behind dead chickens, chopping up meat and pouring honey.  Beside him was a woman slowly rotating several chickens over an open flame.  The walls were decorated with octagons, and a small number of bees were flittering about.  When the man saw his customers, he put down his knife, stretched his arms out, and bounced over to the doorway making a buzzing sound with his mouth.
"Bzzzzzzz Pattern!  It's good to see you back!"  The man greeted.
"Good afternoon, Bumble!"  Pattern bowed slightly.
"I thought you were out on conquest with the military?  Bzzzzz."
"I was," Pattern nodded.  "The conquest went well, but there were some complications.  These here are my prisoners."  He gestured at Nick and Candle.  "I am taking them to the edge of the Earth.  I will be gone for a long time."
"Bzzz, well bless you for stopping in before you leave!  Bzz bzzz.  And I see you have a Bar-Bar with you?"
"Don't worry about it," said Pattern.
"I see, bzzz.  Well, let me get you all a helping of honey chicken!"  Bumble flittered away to his table.
"It smells delicious, but I wish there weren't so many bees in here," Nick turned to Candle, and noticed he looked a little sick.  "Hey, you okay, man?"
"There's so much death in here!"  Said Candle.  "Burning flesh, it's horrible!"
Pattern let out a heavy sigh and reached into his bag, pulling out an apple, and tossing it to Candle, "I keep forgetting you Sethites don't eat real food.  Eat this, then.  I don't want you passing out on the journey."
Pattern turned to Nick, "do you need an apple too?"
Nick shook her head, "no, I'll eat the chicken.  But what's with the bees?"
Bumble returned to a table with a platter piled with chicken glazed with honey just then, and answered, "bees are better than humans you know.  Bzzzzzzz they're industrious, and monarchical.  And somehow, impossibly, they can fly.  Bzzzz.  TELL ME YOUR SECRETS, BEES!!"  He shouted at the bees on the ceiling, and then buzzed back away.
"Your friends are weird," said Nick.  "I mean, don't get me wrong, it's nice to see you have a softer side."
"He is my favorite cook," corrected Pattern, picking up a chicken leg with his bare hand and beginning to eat.  "Friends make death harder."
"No soldier friends either?"  Nick asked.  Pattern ate silently.  "I can be your friend."
Pattern handed her a piece of chicken, "please shut up."
"Since you asked so politely," Nick said, and began to eat.
Candle nibbled at his apple in silence, trying to cope with the odor.  Bar-Bar licked the honey off of one of the pieces of chicken, then worked his way around the walls, catching and eating the bees. 
After they were satisfied, Pattern paid Bumble, and the four made their way across the city.  Several blocks over, past more shops, they came upon another trolley.  This one was emptier, and bound for the edge of the city.  There was no one in the back for Nick and Candle to talk to this time, so Candle told a few more stories from Outer Eden to pass the time.  The sun began to set above the glass ceiling by the time the trolley reached the outer wall of Enoch.  The aurora grew more vibrant, and the stars began to pop back out in their Christmas colors.  Nick was surprised it took a whole day to get across the city.  There were more big, pearly pyramids on this side, and a couple of staircase ziggurats, but she couldn't see the other ones anymore.  They were too far away, and blocked by miles of enormous, tightly packed buildings. 
They came around a corner, to the outer wall, only to find their door was being blocked by a giant sitting with his back against it.  He was dressed fancier than the other Nephalim that came to Outer Eden.  He was adorned in purple, with a poofy scarf and his red hair was pulled back into a pony-tail with a large bow.  He looked like he was dressed for the opera.
"Um..." Pattern stammered, then started waving at the giant to get his attention.  "Excuse me!  Hello!  I am on orders from Tubalcane to deliver these two to the edge of the earth to be swallowed by the Leviathan.   Please let us through. 
The towering giant looked at Pattern, "Who are these two?"
"This woman is the witch who swallowed the Seeds of Eden," answered Pattern.
"She did what?"  The giant rose to his feet and stared down at Nick, towering over her.
Nick gulped.
"I should squash you right now," said the giant.
Pattern interjected, "you will not.  We are under direct orders from Prince Tubalcane-"
"I don't have to answer to Tubalcane," the giant interjected back without breaking eye contact with Nick.
"Uh-oh," Nick chuckled nervously to Pattern.  "You guys can't control your new toys."
"Silence, witch," said the giant.  "And hold still so I don't crush the Seeds as I rip them from your stomach."
"I uh..." Nick stammered, desperately.  "I wouldn't come any closer!  My body is a temple of doom!  I can shoot locusts at you from my buttocks!"
Candle shot her a worried look and whispered, "are you weaponizing your curse?"
She whispered back, "well I have to try something!  He doesn't answer to Tubalcane!"
Candle stepped forward, "What does an abomination like you want with the Seeds, anyways?"
"Candle, what are you doing?"  Nick asked.
"Yes, what are you doing?"  Pattern repeated.
Candle turned around and whispered, "I'll distract him.  You guys run."
He turned back around and continued addressing the giant, "The Seeds mean nothing to the Watchers, why should they mean anything to you?"
"They are our holy relics," answered the giant.
"They are the holy relics of the sons of Adam," corrected Candle.
"WE ARE THE SONS OF ADAM!"  Screamed the giant.
"You.. what?" Candle stepped back, away from the giant's spit, perplexed.
"Our fathers may have been watchers, but our mothers were daughters of Eve.  We are the logical progression of man, in our ascent to godhood.  We will inherit the Garden, not you!"
The giant reeled his arm back, closed fisted, and took aim at Nick.  Nick closed her eyes and clenched her whole body, bracing for impact and pain.  She heard a sound, and felt a small rush of wind, but no giant fist.  She peeked out of one eye, then opened both.  She saw the giant's fist in front of her, Candle had fallen over next to her, and Bar-Bar had interrupted the giant's right hook.  The dog-headed man growled as he pushed back on the giant's fist, grappling with both hands, finally swinging the giant to the floor.  The giant pulled his fist back and swung back at Bar-Bar knocking him back several feet.  Bar-Bar rolled on the floor, but quickly regained his footing and lept back toward the giant like a bullet at lightning speed, punching him square in the face.  The giant shot backwards, crashing into the wall, creating a big hole in it.  The giant jumped back in and started swinging at Bar-Bar.  The three humans looked at the big hole in the wall, then looked at each other briefly.  They all had the same idea, and booked it through the wall and out of the city.
"Guys," Nick said as they ran as fast as they could toward the forest of Nod.  "Let's never make Bar-Bar angry, okay?"
"Agreed," said the men.
"Come back here, witch!!"  They heard the giant shout from behind them, causing them to double their speed. 
As soon as they crossed into the forest, they zigzagged, hoping to lose the giant in the cover of the trees.  They bolted off the path, over some bushes and under a tree root where they stayed as quiet as possible.  They heard the giant crashing through the trees past them, and saw a tree top fall down in front of them.  The giant paused to try and discern which direction they went, and ran forward away from them. 
"We can't stay here long.  Come on," Pattern whispered, and pulled the other two up.  They stayed as quiet as possible and quickly darted from tree to tree.
"Can you catch him in one of your traps?" Whispered Nick.
"Are you kidding me right now?"  Pattern asked rhetorically.
They heard a noise and ducked down low.  They listened as the giant crashed back by them, several yards away.  When he was passed, they continued forward.  They did this two more times.  Nick grew anxious that they were going to get caught and slaughtered.  Then they heard a howl behind them, followed by more crashing.  Bar-Bar followed the giant and continued to fight him.  She felt some relief, but not by much.
The woods stopped in front of them at the bank of a river, flowing down from the cliff of a small mountain.  The sky began to get brighter with the dawn, and they could see the other side of the water was riddled with steep hills, and cliffs of overgrown herb plants.  The river was wide and rough. 
"What do we do?"  Asked Nick.  "If we're supposed to swim in that, you'll have to uncuff our wrists."
"The current is very strong.  I don't know, let me think," Pattern scratched at his head, violently, visibly stressed.
Nick turned to Candle, "can you get God to part the river?"
"What?"  Candle blinked at her.
"We're in a Bible story, right?"  Nick grasped at straws.  "God does things like that in Bible stories, right?  He parts a path in the water for his people to cross.  And you're his people, right?  So can you get God to part the river?"
"I don't..." Candle stammered.  "I don't know what a Bible story is.  When has God ever parted the water?"
"In the future," recounted Nick.  "The Israelites were fleeing from the Egyptians, and God parted the Red Sea so that they could cross.  And then when all the Israelites were across, and all the Egyptians were still crossing, God stopped parting the Sea and the Egyptians all drowned."
"That's horrible," responded Candle.
"It's also tactically smart," said Pattern, clutching what Nick could only assume was one of his grenades; a black ball with a ring at the top.  "Look over there.  I think that's a bridge.  Let's do it."
They ran as quickly as they could along the river, Pattern untying the rope from the other two as they went, until they came to a wooden, arched bridge over the rapids.  They heard the giant crashing right toward them.  Nick tensed up. 
"Hurry!" Pattern barked, snapping her out of it.  They scrambled up the bridge.  Pattern stopped halfway up and hooked his two grenades on the apex of the railing, tying rope to the rings.  Once they were all already across, the giant emerged from the woods and spotted them.
"I thought I smelled your toxic blood, witch!"  He lumbered up the bridge.  "I'm going to grind your bones between my teeth!"
"If my blood is so toxic, you probably shouldn't put me in your mouth!" she called back to him.
"You're right!"  The giant laughed.  "You have eaten the Seeds of the Fruit of the Knowledge of Good and Evil.  Your body is cursed!  I shall not eat you!"  He punched his fist into the palm of his hand.
"Neither shall you touch me!"  She called back.
Pattern pulled on the rope, which yanked the rings off of the grenades, causing them to explode.  The bridge immediately collapsed into flame. the giant fell into the river and was swept away by the rapids, screaming in pain. 
"He's not dead," Candle noted.
"Right, let's keep running."
The three raced through the trees and over rocks, until they came upon a small drop off between the bank of a smaller branch of the river, and a fallen log.  They stopped to rest between them, taking off their bags, out of sight, satisfied that the giant was unlikely to find them, if he was even still in pursuit.
"You know," Candle gestured at Pattern, still catching his breath.  "I think I understand Enoch now."
"The Nephalim are not usually like that," Pattern wiped the sweat from his brow.  "Azazel will sort this out.  For now, we continue toward the sea."
"I've always admired the ingenuity and innovations of the Cainites," continued Candle.  "But I see now that you have been compiling on yourselves garments of flesh."
"Ew," said Nick.  "Can we not?  I'm already about to yarf up my honey chicken from all the running."
"I mean this metaphorically," explained Candle.  "My grandfather wrote that in the Garden, man was clothed in garments of light.  But after the exile, the bushes grew thorns, and the world grew dangerous.  And so God clothed us in garments of flesh.  A layer of death to combat death.  I can see now.  As you Cainites fell further from the Garden, and the world grew more hostile in response, you built the wall as another garment of flesh, so to speak.  And every innovation after that, the weapons, the pyramids, the cannons, even the Nephalim.  They're just more flesh, more protection.  But they weren't given to you by God like the garments of flesh, they were given to you by Azazel."
"God will not protect us," said Pattern.  "God has turned his back on us.  We survive in this world only in rebellion."
"This is not so," Candle argued.  "Even now, your garments of flesh have turned against you.  Your Nephalim do not answer to your prince."
"It's just the one Nephalim," Pattern retorted.  "They are not usually like that."
"I get it too," said Nick.  "Y'all are technocrats."
"I grow weary of being confused by your language," Pattern groaned.
"Where I'm from, we have advanced technology," Nick explained.  "And the people that understand and own the technology have a certain... leverage over our appointed leadership.  Because our leaders depend on technology."
"Yes, exactly," Candle affirmed.  "Your innovations grant you greater power, but also greater dependency.  You should turn back to God for dependency.  Azazel will only offer you enslavement."
"Azazel promised us conquest, which he has delivered," Pattern shot back.  "And so as he promises conquest on the Garden, so too do we trust in him and the other gods.  Your god has only promised us weak crop yield and shame."
Candle and Nick fell silent.
Pattern added out of the side of his mouth, "and death."
They heard a stick crack, and tensed up, holding as still and as silent as possible.  They heard light footsteps coming closer, and the sound of rapid sniffing.  It didn't sound like the giant.  Pattern slowly rose up and peaked over the side of the drop-off.  He and Bar-Bar locked eyes, and Bar-Bar stopped sniffing around and started waving his tail vigorously, limping toward the three.  He hopped into the drop-off and sat next to them, still wearing the bag on his back that Pattern had given him to carry.
"Bar-Bar!"  Nick smiled.  "You survived!  I'm so glad to see you!"
"Bar-Bar!" said Bar-Bar.
"What an advantageous companion you turned out to be," nodded Pattern.  "You have my respect."
"And my gratitude," added Candle.
"And my axe," added Nick, chuckling to herself.
"Can we camp here for awhile before you drag us to the sea?"  Nick asked.  "I don't know about you guys, but I didn't sleep a wink last night."
"Yes," nodded Pattern.  "I also need rest.  We will sleep a little, and perhaps eat, and then continue."  He took the rope, and wrapped it around the fallen log, tightening it with a metal lock.  He put the key in the bag around his neck, and informed the two, "I'm a light sleeper, and these ropes are not breakable.  Do not try and escape."  He moved himself farther down the log, out of reach of the rope.  Nick ran a few scenarios through her sleepy brain; she couldn't reach the key, cut the rope or break the lock.  Even if their arms were free, she was skeptical that she and Candle could overpower Pattern, especially since he had all his weapons with him.  The absolute best idea she had was to somehow convince Bar-Bar to free them, or turn on Pattern.  She didn't know how much Bar-Bar understood of their speech, or if he understood they were prisoners.  Perhaps he is like a dog, and he's identified Pattern as the alpha?  This plan, she finally decided, could wait until after they've slept. 


The sand and rocks on the bank weren't terribly comfortable, but Nick managed to find a position that suited her, with a soft spot on the bag.  She looked up at the stars that were visible through the aurora sparkled in various colors like fireworks.
"I love how the stars are in rainbow colors up there," said Nick, already half asleep.
"What's a rainbow?" asked Candle.
"What?" Nick muttered, drowsily.
" What's a rainbow?" he asked again.
"It's a..."  she rubbed her eyes.  "It's that arch of colors that shows up in the sky after it rains.  All the colors are stacked on top of each other, and it's in an arch across the sky."
"I've never seen that," said Candle.
"Really?"  She vaguely recalled her sunday school teacher again, this time holding up a cartoon picture book of Noah's ark, complete with the rainbow.  Her teacher said that God placed the rainbow in the sky as a promise never to flood the earth again.  'That can't be right, though,' thought Nick.  'There's a whole sciency thing about it.  You can make your own rainbow with a prism, or by spilling gasoline on dry pavement on a sunny day.'
"I'll point one out if I see it," she said, just before finally falling asleep.




---


-- The Academe 


"....Niiiiiccckkk...."
Nick woke up to a gentle voice.  It was still daylight, and she was still very sleepy.
"....Niiiiiiiiiicccckkkk....."
She pried her eyes open and looked around.  Candle was asleep next to her.  They were both still on the bank of the river, tied to a log.  She looked over and saw Pattern, their captor, was still asleep as well.  Next to him, Bar-Bar, the friendly dog-headed man was curled up asleep in fetal position.  So then who was saying her name?
"....up here, Nick..."
 
The voice was faint and strange, as though it wasn't coming from the vocal cords of any warm-blooded creature.  She might've been imagining it.  She looked up, and saw above her head several little lights dancing around like lightning bugs.  The glow coming off of them was strange, not emanating from anything, nor onto anything; flittering about in the air all on their own.
"....We've come to free you, Nick...."
 
One of the lights dove down to the rope, where it met the log, and opened the lock.  Another light dove down between her wrists and uncuffed her.  She snapped fully awake, and checked again to make sure the others were asleep.
"....come with us...."
"What about Candle?" she whispered.
"....we will come back...."
"....for Candle...."
 
She took a deep breath, and quietly rose to her feet. 
"....come with us...."
"......follow us......"
 
The lights flittered up toward the trees.  She quietly grabbed her bag, and snuck off after them.  They led her along the edge of the river, until they came upon a mountain path.  She followed them upwards, through the trees.
"Where are you taking me?"  She asked.
The voices rang out melodically around her head from all directions, along with what sounded like playful giggling.
"...poor Nick...."
"....a stranger in a strange land...."
".....condemned to die...."
"....poor girl..."
".....we will guide you to safety...."
 
"Can you take me Home?"  She asked.
More giggling.
".....we will take you home..."
"Wait, my home or your home?"  She asked.
"....we will take you your home...."
"...to your family....."
 
"And you'll definitely come back for Candle?" She asked. 
"....We will free Candle...."
"....Bring him home safe....."
 
She felt a rush of comfort and warmth.  These must be more angels.  She followed them up the hill. As they continued singing her comforting things, it seemed as though the forest itself began to hum along with them.  Their voices, and the dancing lights were mesmerizing, and she began to lull back into a drowsy state as they walked further up the hill.  The forest around them was filled with exotic plants of greens and purples, bushes with bulbous berries in all manner of colors, and bushes with sweet smelling flowers and herbs.  At last, they came upon the apex, to the edge of a high cliff.  She could see for miles, large hills, fields, valleys, and forests.  The beautiful landscape popped against the violet aurora running along the watery glass ceiling in the morning sky.  In the majesty of this moment of pure natural beauty, music, comfort, and promise, she'd almost forgotten she'd been bound up and dragged around a strange land for a whole day.  She'd forgotten how hungry she was, or that she hadn't bathed or changed her clothes since she arrived.  It was almost over.
 
".....jump...."
She swayed with the music, and asked, "what?"
"....jump with us...." 
The lights flittered forward over the edge of the cliff in front of her.
".....you can fly, Nick....."
".....we will help you...."
".....we will fly you home...."
They giggled playfully, and continued to sing.
Nick stretched out her arms, and stepped off the cliff.
She was pulled backwards by the bag on her back.  She turned around and saw Candle, saying something she couldn't hear over the forest's singing.  Pattern and Bar-Bar were right behind him, on the other end of the rope attached to Candle.  The music rapidly muffled and faded out as her trans was broken, and Candle's voice finally reached her ears. 
"Nick!  Snap out of it!"
"What's going on?"  She blinked.
"You were about to walk off a cliff!  What were you doing?"
"I was... I was following the angels," she explained.  "They told me they would fly me home."
"Angels?"  Candle backed up a couple paces.
"Yeah, the...." Nick turned and pointed at where the lights were supposed to be, but they had vanished along with the voices and music.  Perplexed, she turned back around to Candle, "they were little lights, like bugs.  They told me to follow them.  They're real, I swear.  They broke the lock on my cuffs."  She flashed her bare wrists.
 
Candle and Pattern both groaned.
"Fairies," spat Pattern. 
"Fairies?"  Nick repeated.
"Fairies are horrible," agreed Candle.  "They're liars and tricksters.  They only wanted you to walk off the cliff."
"But... why?"  Nick asked.
"Nobody knows," said Candle.  "The only thing to do when you hear little fairy voices is ignore them.  Do not argue with them, do not obey them.  Do not even let your thoughts consider their words.  Guard your mind with prayer.  They cannot hurt you unless you participate in their games."
"But..." Nick's heart sank.  "But they said I could go home.  I hoped..."
"I know child," nodded Candle.
 
Nick rubbed her eyes and looked around.  She spotted a sign, she almost missed, behind some bushes.  There was an arrow on it next to some writing, pointing down another path through the trees.  She blinked a couple of times and the writing morphed itself into English. 
"The Academe"
 
"Hey look," she pointed at the sign.
"Oh, is that where we are?"  Said Pattern.
"What's at the Academe?"  Asked Nick.
"I've never been," said Pattern.  "But everyone I've ever met from the Academe is touched in the head."
"That's what people keep saying," said Nick.  "Can we go?"
"I don't think that's a good idea," said Pattern.
Nick sighed and tucked her hair behind her ear; suddenly realizing as she looked at her wrist, she wasn't tethered to the rope.
"Never skip leg day," she said.
"What?"  Pattern and Candle asked in unison.
 
She bolted off down the path toward the Academe.  Pattern laughed, "I'll give you a head start!"
"Oh dear," Candle took a deep breath and prepared himself.
Pattern hopped a couple of times, and ran after her, only to be caught on the rope at his waste.  He looked behind him to see that Candle wasn't running with him. 
"Keep up!"  He shouted.  Candle smiled gently and held his ground.  Pattern growled and pulled harder, picking the pace back up, as Candle dragged on the ground behind him.
"Your loyalty to this witch is misguided, Sethite!"  He growled, belabored.  He looked over and saw Bar-Bar strolling casually next to him, wagging his tail.  "Bar-Bar, go catch her!"  He barked at him.
"Bar-Bar!"  Bar-Bar responded happily, wagging his tail, but continued strolling casually next to him.
Pattern growled again, frustrated.
 
------
 
Nick bounded down the hill as fast as she could.  The bag on her back was weighing her down a little, and she briefly considered tossing it off.  A man came seemingly out of nowhere and jogged next to her.
 
"Well hello there, young woman," the man smiled charmingly.  "Where are you off to in such a hurry?"
"Hi," Nick greeted him as she ran.  "I'm being chased by a Cainite."
"Oh!"  The man continued to smile.  "In that case, I know a shortcut."  He jumped off the path through the trees.  She followed, cautiously.  Soon they were on another path, and they were jogging side by side.
"You're not a fairy, are you?"  Nick asked.  "I got myself into trouble being a follower once to-day already."
The man laughed, "no, I'm not a fairy.  I am Prince Jubal.  The father of all those who play the lyre and pipe."
Jubal had pulled some kind of bone pipe out and began to play it as they jogged.
"Now doesn't seem like the time, your majesty," objected Nick.
"Ah, you're right," laughed Jubal.  "Come! I have a cave just up ahead."
 
They came through the trees upon a cave, next to a waterfall.  The water ran into it, so that Nick and Jubal had to hop carefully on large wet rocks to get inside.  Inside, the sides of the cavern had wider, drier paths to walk.  There were unlit torches lining the walls; Jubal took one down and effortlessly set it ablaze with a couple of flints.  Nick thought this was a mere hiding spot, but Jubal continued farther down the cave. 
"Hey, where are we going?"  Asked Nick.
Jubal grinned, "Come along, I have something to show you!"
Nick stopped, "Hey, man, am I... am I safe with you?"
Jubal stopped and turned around, "of course!"
Nick shifted her weight, "No offense, it's just... you're a total stranger, and I'm a girl, and this is a... pretty dark cave.  I just want you to know I can fight if I need to."
"Ah," nodded Jubal.  "Here, you can take the torch."  He extended the torch toward her.  She took it.  He said, "Now you can burn me if I prove threatening.  But I promise not to.  Come!  I want to show you my art!"
"Oh?"  Nick asked. 
Jubal grinned wide, "This cave is where I sometimes come to think of fresh ideas.  Look!"  He gestured forward.  The two of them went farther into the cave until the torch light illuminated the paint on the walls.  They were large, simple drawings.  A little crude, but you could still tell they were men hunting various animals with spears. 
"It's caveman art," she said.
"Yes!" He smiled, putting his arms up triumphantly.  "It's man cave art!"
"No, it's..." she blinked a few times; her body was finally calming down from all the running.  "Of course.  You don't know what a caveman is.  There were no cavemen.  These paintings are yours."
 
Jubal continued gesturing dramatically at the wall, "it's reductionist!  I'm really trying to capture the crude, savagery that man is really capable of, as a meta-commentary on... are you okay?"
Nick had collapsed into a sitting position and was rubbing her forehead.  Jubal sat down next to her, keeping in his own personal space, but trying to signal with his eyes that he was listening attentively.
 
She took some deep breaths, and started to talk a couple times, but quickly realized she was choking on an emotion and needed a few more breaths to gather herself so she didn't start crying.  Jubal waited patiently.  Finally, she said, "I'm sorry.  Thank you.  For everything.  Your art is very lovely.  I'm just a little... I feel like Alice in Wonderland right now.  You don't know who that is.  I'm... very far from home, I don't know where I am, I don't know the rules and customs here, and I've already managed to mess them up so badly that there are people here who want to kill me."
"The Cainite," Jubal offered.
Nick nodded, "The Cainite, and some giants, and fairies, and... I don't know if the Sethites would ever try to kill me, but I'm sure I made a lot of them pretty angry.  I don't know if I'll ever make it back home, and I don't even know for sure if I'll survive.  I thought I was finally going home this morning, like not even a half hour ago, but it was just fairies trying to kill me.  I didn't even know fairies existed."  She sniffed and choked back another frog in her throat.  "I'm just a little overwhelmed.  I need a minute."
Jubal nodded, "absolutely.  Take all the time you need."
 
After a few minutes, Jubal stood up, "What is your name?"
"Oh I'm sorry!"  Nick wiped some snot onto her arm, stood back up and bowed, apologetically.  "My name is Nick, your majesty."
"Nick," said Jubal.  "I can see that you have been through much.  This cave is a back door to my academe.  If you would like, we can go and fetch you something to eat and drink?  Or at least a better place to sit and rest than these rocks?"
"YOUR academe?"  Nick pointed at him.  "The Academe is your Academe?"
"You've heard of it?" 
"A little, but..."
He bowed, "allow me to tell you a little about myself.  I am a prince by virtue of being son of King Lamech.  However, as his youngest son, I am not his heir.  My brother Tubalcain will likely inherit the throne.  That suits me fine.  There are other ways, perhaps even better ways, to leave your mark on this world.  There are... better ways to be remembered."
Nick looked back up at the cave paintings.  "Yeah, you'll be remembered alright."
"I'm delighted you think so!"  Jubal beamed.  "And I do hope you are not put off that I am also a Cainite.  I assure you, I am nothing like my family.  Shall we go to the Academe?"
"We shall," Nick smiled, and the two of them continued deeper into the cave.
 
-----------
 
Pattern strained slowly forward along the path, dragging Candle behind him; Bar-bar zig-zagging along the sides of the path, casually smelling and licking the plants.  Candle avoided as much damage as possible by shifting positions every so often, but he had still managed to wear a hole in his robes, exposing his buttocks.  This caused him to have to lean on one hip or another as he dug his heels into the ground, so his bare cheeks wouldn't drag and grind across the gravel.  He began to shift at the same time as Pattern shifted backwards a bit, and the rope had enough slack for him to rise to his feet.  He took the opportunity to actively start pulling backwards against his captor.  He wasn't strong enough, however.  Pattern rolled his eyes and stopped walking; he turned around and pulled the rope hand over hand until he dragged Candle up next to him.  Candle clenched up and cautiously turned his head to look at him.
Pattern put his hand on his shoulder, "thank you, friend.  I have been a fool.  I have seen the error of my ways, and I am rightly embarrassed I had not seen it sooner."
"You have?"  Candle asked.
Pattern clubbed Candle over the head, knocking him out, and tossed his unconscious body over his shoulder.  The three of them continued forward at a much faster pace without the struggle.
 
After a bit, they came upon an old man resting at the foot of a tree. 
"Excuse me, sir?"  Pattern asked.  "Have you seen a young woman run by?"
 
The old man didn't respond in any way.
"Sir?" Pattern repeated.  "Are you alive, sir?"
Pattern dropped Candle on the ground, jarring him awake, and he knelt beside the old man.  He waved his hand in front of his unresponsive eyes, and checked for a pulse.
"Nobody ran by this way," said the old man, startling Pattern, who immediately dropped his wrist.
"I apologize, I uh... I thought..." he stammered. 
"You thought the only reason someone would ignore you is if they were dead?" 
"No," Pattern defended himself.  "I thought you might be dead because you look really old."
The old man finally looked him in the face, with a furrowed brow, "you're very direct."
"I have no time to waste," Pattern nodded.  "The young woman is a fugitive of the law.  By order of Prince Tubalcain I am escorting her and this man here to the edge of the Earth to be delivered to the Leviathan."
The old man looked down at Candle, who was shakily rising to his feet, brushing the gravel and dirt off his battered robe.  "What was their crime?  Indecent exposure?"
"What?"  Pattern looked back and saw that Candle's buttocks was hanging out.  "Oh.  No."
Candle turned around and saw that everyone was staring at him.  
"What?"
Pattern sighed and turned back to the old man, "can you tell me how to get to the Academe?  I have reason to believe the fugitive may try to seek sanctuary there."
"Straight ahead," the old man pointed.  "Hey!"  He jumped up faster than an old man would be expected to, startled.  "T-That's a Bar-Bar!"
"Yes, he's with us," reassured Pattern.  "He's completely safe."
"You fool!" the old man backed away from the three of them.  "Bar-bars are never safe!"  He disappeared into the trees.
Pattern and Candle looked ahead and saw a large opening in the cliff ahead of them, with a sign that said "The Academe".  There were skins stretched out along the face of the cliff around the opening with paintings on them, a couple of upside-down sunsets, and a few that were just circles.  To the left of the opening was a wagon with square wheels. 
"I'm annoyed already by this place," said Pattern as the three of them walked toward the door. 
"The circle paintings are so close to the wagon," said Candle.  "It makes me wish its wheels were circles too.  Why are these pictures mocking the wagon?"
"Will you just hurry up?"  Pattern yanked on the rope. 
 
A man walked out and immediately dropped a pile of rocks he was carrying, "Woah!  Welcome, but you can't bring the Bar-bar in here!"
"I can bring whoever I want wherever I want," said Pattern calmly, but firmly.  "I am here from Enoch, and I am looking for a fugitive."  Pattern made to push through him, but he stepped backwards and put his hands up gesturing them to proceed with him in front.
"Ah.. okay..." the man stammered nervously.  "I am Instructor Rotten.  Welcome to the Academe."
 
As they followed Instructor Rotten inside, the sound of what might be called music floated out at them.  The cavern was large, with a high ceiling and a large opening at the top letting the sunlight in.  There were people everywhere, bustling about from place to place, carrying this and gawking at that.  The floor was dotted with activity; artists with easels and platforms showing off their recently completed piece, or circles of students surrounding an object vigorously trying to draw it.  People were swinging from rope to rope across the room.  In the corner was a small band; five people with different sized hand drums and bone drums, banging away with no sense of structured rhythm, while a couple of people played lyres and bone pipes.  In the front, was a man belching lyrics.  The back wall had several doors. 
 
"Behold, the cutting edge of the artistic- hey!"  Instructor Rotten began to give them a guided tour, but Pattern paid him no heed and pressed through the crowd toward the back.  People got out of their way rather quickly upon seeing the Bar-bar.  The first door they went into emptied into a room where several people with easels encircled a naked woman posing awkwardly as they attempted to paint her.  They all turned to look at the door. 
"I apologize," Pattern said.  "I was looking for..." he looked at the easels and saw that everyone in the room was only drawing circles.  He realized this is where the artwork from outside by the wagon was coming from.  "I was looking for something less stupid."  They backed out of the room.
"This place is very unsettling," Pattern whispered to Candle. 
"I agree," whispered Candle.  "If Nick is here, she may need rescued.  A person could go mad here."
 
"Look at that man!"  A small group of people gathered near Candle, Pattern, and Bar-bar, and began to direct attention at Candle's exposed hindquarters.
"What a bold choice of attire!"  One of them exclaimed.
"Is this what the fashion department has been working on?"  Another one asked.
"It sends an absolutely stunning and undeniable message!"  Yet another interjected. 
Candle blushed and tried to cover himself with his hands, as people murmured about it.  A woman with tall hair approached him and said, "don't be embarrassed, friend.  We understand what you're going for, and we love it!"  She turned to the murmuring clump of observers and exclaimed, "for what is the nature of fashion if not to reflect the nature of our inner selves?  And what is within us other than the profane?"  She took a stone spear head from her belt and vigorously tore at the back of her own robe until she was able to rip a hole large enough to expose her buttocks.  Candle blushed harder and turned away.  The clump of observers gasped and began to tear at their own robes. 
 
Pattern leaned in and whispered to Candle, "let's get out of here."
 
The three side stepped into another doorway, which lead to a long hall filled with more doors.  Instructor Rotten entered behind them.
"There you are!"  He exclaimed.
Pattern wheeled on him, "What is this place?"
"It's the Academe!" Instructor Rotten defended.  "It's the cutting edge of art!  Our students embark on an innovative approach to self expression."
"What does that mean, 'self expression'?"  Candle asked.
"Well," explained Instructor Rotten.  "There are facets of the human experience which - although universal - are nevertheless difficult to properly express in any meaningful or cathartic way, but through the various modes of art."
"Like the wagon with the square wheels?"  Candle asked.
"Ah yes, that is a commentary piece.  One of our proudest and most existential works, in fact.  It's meant to be a clever critique on the curse of Cain.  As the 'traditional' narrative goes," Instructor Rotten practically spat the word "traditional" as he said it.  "Mankind was designed to be agrarian and grow the fields, and yet we humble Cainites were intentionally installed with improper wheels which impeded the labor.  One might look at such a piece and wonder 'why build it in the first place?'  The answer, of course, is as a monument of mockery.  We are all, in the end, wagons with square wheels."
"And what about beauty?"  Asked Candle.  "Is art not meant to make the world beautiful?  Cainites are nothing if not renowned for their majestic works of beauty."
"Beauty is relative," scoffed Instructor Rotten.  "And anyways, art reflects life, and life is far from beautiful.  So we must be open to interpreting beauty for our own personal selves."
"So the meaning of your art is..." Candle began.
"No no," Instructor Rotten laughed.  "You have to put archaic thoughts of 'meaning' out of your head.  Meaning itself is not intrinsic to the universe.  Life itself is ultimately comprised of a series of mostly mundane and messy events in sequence.  It's our own tendency to filter it into an overarching narrative, and those stories vary from person to person.  So you see, meaning itself is relative.  There is no such thing, but that meaning which we make for ourselves."
Candle scratched his head, "If there's no meaning, why do I have to put thoughts of meaning out of my head?  What does it matter?  And another thing: what's in there?"
 
Candle pointed at a doorway which was blocked off with a locked gate.
"Oh!"  Instructor Rotten bolted between them and the gated doorway, laughing nervously.  "This area is strictly forbidden.  Nobody's entered through these gates in years, so you can rest assured your fugitive wouldn't be hiding in here.  Best to look elsewhere.  I'll even help!  Come along!"  He moved down the hall checking in on other doors.  "Hello!  Has anyone in here seen a fugitive?  No?  Good day then!"
 
"He's right," said Pattern.  "We've wasted enough time."  He pulled Candle toward one of the doors, and Bar-bar sauntered quietly along, wagging his tail.  He opened a door and the three of them were met with a putrid smell as they found a single man slopping signs and symbols on the cave wall with a thick, brown ooze.  The ceiling was covered in hanging bats.  The man saw them, and cheered up, "Hello there!  You're just in time!  Behold!  I have written a solar calendar with bat feces!  Observe-"
Pattern slammed the door shut on him.
Candle gagged and fell to his knees, "why is everything about this place determined to be as offensive to the senses as possible?"
"Let's just find Nick and leave," Pattern checked the next door.
 
Inside sat three rows of children and one adult woman.  The children all had reed pipes and were blowing paint on the backs of their hands and on leaves.  The back of the cave wall was covered in hand prints. 
"This is actually quite lovely," said Candle.  "What do you call it?"
Instructor Rotten came up behind them, "oh, this is our beginners painting class.  Instructor Ten Gallons here is teaching the children how to paint a turkey with the outline of their hands.  We all have to start somewhere, right?  Come along, then."  He shut the door.
"Hand turkeys?"  Candle furrowed his brow, perplexed.  "Hold on a minute.  You let children here at the Academe?  Around all of those disrobed adults?"
"How very judgmental," laughed Instructor Rotten.  "You almost sound like a Sethite!"
"He is a Sethite," said Pattern.
"Ah," Inspector Rotten leaned in closer to Candle.  "Perhaps if you're so concerned with Nudity, you aught to cover your own bottom."
Pattern snickered.  Candle blushed and covered his bottom with his hands and they continued down the hall.
"This place is horrible," he muttered.
 
------
 
"This place is amazing!" Nick exclaimed with a big, cheesy grin on her face; a leg of cooked bird meat in one hand, and a goblet of wine in the other. 
"I'm so happy you think so!"  Jubal hopped up and down from glee.
He guided her around the halls and rooms showing off various classes, art showcases, and music room practices.  They'd gotten to a dark room with a single candle, and three or four people were huddled around it making shadow puppets on the wall. 
"Where I'm from, the art can get really pretentious.  But this," Nick pointed at the wall, where a young boy was casting the shadow of a bunny rabbit with his fist and two fingers.  "This I can relate to."
"What if we're the shadow puppets?"  Mused Jubal, staring wide-eyed at the wall.  "What if there's a higher truer reality all around us, and all we can see of it is as shadows on the wall?  What if every rabbit we've ever seen is but the fist of a little boy's hand, attempting to suggest a higher truer rabbit?"
"Your highness," Nick put her hand on Jubal's shoulder.  "That is really deep."
 
Jubal turned and looked Nick in the eyes, "Nick, may I ask you something personal?"
Nick swallowed, "how personal?"
"Come with me, please," Jubal took her hand and guided her down the hallway to an empty room with an easel and some paints. 
"Will you paint me something?"
"Oh, your majes... your highness.  Your majesty?"  She stumbled on her words. 
"You can call me whatever you like," Jubal reassured her.
"Yes, your honor," continued Nick.  "See, the thing is... I'm not really the artistic type.  I'm more of a jock."
"Don't be silly!"  Jubal laughed.  "Everyone is the artistic type.  Don't let anybody tell you that you have to be good at painting to express yourself in the paint.  If you enjoy it, or if it reflects you, that's what makes it beautiful.  If you have something inside you that you haven't been able to articulate, something you feel, deep down in your gut; some pain, or some longing, and you have to let it out... it's not for anyone else.  It's just for you.  Nick."
 
Nick put down her food and drink, and slipped her backpack onto the floor.  She picked up a paintbrush; a stick with some kind of bristly, thin grass tied to it with string. 
Jubal continued, "I can tell you have such a beautiful soul.  I would love nothing more than to have even a little of that captured for my personal gallery.  Please, I insist."
 
Nick looked at the brush, and then at the white canvas.  Then she looked down at the different colored paints.  Then back at the canvas.  Then she looked behind her at Jubal.  Charming Prince Jubal, with that big, cheesy grin on his face.  She turned back to the blank canvas. 
'I shouldn't,' she thought to herself. 
'But he'd never know,' she thought back at herself.
She dipped the brush into the black paint and swooshed it carefully onto the canvas.  It took her a couple of swooshes to get it as defined as she wanted it, but all of thirty seconds later, she said, "done."
 
She stepped aside to present to Jubal what she had painted: one big, black swoosh logo.  "I call it, 'Just Do It'."
He bit his knuckles in delight.
She explained, "this is something that's very important to me.  The feeling you get when you're running for miles and miles, just to push yourself forward.  Just to test your muscles.  Just to sweat.  Just to overcome your own limitations.  And you can fly, because you're wearing... comfortable shoes.  You don't even have to think about your feet, you just... do it."
"Amazing," gawked Jubal.  "So simple.  It's absolutely breathtaking."  He turned to look at her like his eyes were about to pop out of his skull.  "You're a genius.  We have to show everybody!"
"Woah, wait, I-"  She began to backpedal, but before she could protest properly, Jubal had already grabbed the canvas from the easel and darted out the door.
 
"Relax," she said to herself.  "Nobody here has ever heard of Nike.  It'll be thousands of years before anyone can sue you for this.  And if anyone does recognize it... well, maybe they know how to get me home."  She grabbed her backpack and jumped out the door nearly bumping into a small group of people who all had their bottoms sticking out of holes in their robes.
 
"That's a little weird, with the butts," commented Nick.
"That's the fashion department for you," laughed Jubal.  "I love this place!"
Nick couldn't help but smile along with his enthusiasm.
 
-----
 
After awhile of checking door to door, Candle and Pattern got a sense of how extensive the caverns were - as well as how many ways an experimental art student can assault ones senses trying to be subversive - and decided it might be a better idea to return to the front to watch the entrance.  Nick would likely want to leave just as badly as they did, or so they thought.  So it would only be a matter of time before she reappeared. 
 
Once they returned to the main cavern, however, they discovered the entire crowd was now encircled around a center platform, upon which stood Nick, who was in the process of painting on an easel.  The crowd was murmuring about the "new genius".  They pushed through to get a closer look - an easy enough feat with a Bar-bar nobody wanted to be next to. 
 
Jubal leapt to the stage and announced, "BEHOLD!  OUR NEW GENIUS, NICK, HAS COMPLETED HER LATEST MASTERPIECE!  THE GOLDEN ARCHES!"  The crowd cheered as Nick smiled, stood up and turned the easel around to display a red canvas with a basic yellow "M" written on it.  As she looked over the crowd, she saw Bar-bar, sticking out like a sore thumb.  As soon as she saw him, she saw Pattern next to him, and her grin quickly vanished.  She ducked behind the easel, to hide her face. 
 
"What are you doing?" Asked Jubal.
"I'm... letting my art speak for itself?"  Nick smiled nervously.
Jubal leaned in behind the easel, "Are you getting stage-fright?  There's nothing to be worried about.  Everyone loves you!  Listen to the cheering!"
"The Cainite is here," whispered Nick.  "The one who's hunting me."
"Ah," Jubal's eyes widened.  "That does present a problem."
"I shouldn't have drawn so much attention to myself," Nick said.
"Come on," Jubal took her by the arm and pulled her off the stage.
 
"Hey!"  Pattern shouted after them, but was unable to push farther up the crowd.  Bar-bar had gone somewhere else.
Candle watched Nick and Jubal exit the room, and accidentally made eye contact with the man next to him.  The man smiled, "hey, you're that man!  The butt man!"
"What?" Candle furrowed his brow, confused.
"I love your work!"  The man turned around slightly to reveal he'd torn a hole in his robe to expose his buttocks.
"Oh, right," Candle nodded.  "That's me.  The butt man.  Do you have one of those knives?  The ones you use to cut your robes?"
"Right here," the man took his knife out, proudly.
"May I borrow it?"  He showed the man his wrist-cuffs.
"Anything for the butt man!"  The man took his knife and cut Candle's wrists free of the rope.
"Thank you," Candle said, just before turning around and fleeing back through the hallway door.  "And thank you God," he added. 
 
He began to run down the hallway to pick a random room to hide in, but he stopped when he saw the gated doorway from before.  Bar-bar entered the hallway after him.
"Bar-bar!"  Candle yelped.  "Please don't take me back to Pattern."
"Bar-bar!" said Bar-bar, wagging his tail.  When it became clear that Bar-bar was not going to seize him, he relaxed.  "I want to get into this room.  They're hiding something in there.  I know it.  Maybe one of these other rooms has a tool that will help me break the lock."
Bar-bar walked over to the gate and grabbed the bars.  He lifted the whole gate up and out of its hinges, and set it aside.
"Brilliant!" Candle praised the dog-headed man.  "Rescuing you was a very good decision, my friend." 
"Bar-bar!" said Bar-bar.
The two of them grabbed a lit torch from the wall and made their way into the dark doorway.  Candle nearly tripped over the first step of a flight of stairs.
 
Bar-bar moved the gate back in front of the door behind them; imperfectly, but Candle hoped it would be enough that nobody would notice and come looking for them for awhile.  The stairs took them much farther down than Candle had anticipated.  The stairway was long and dark, and the walls were flat and smooth, as though the whole thing were meticulously carved out of the rock.  There were various notches sticking out of the walls in rows.  The stairs themselves were stones carved into near-perfect rectangular blocks, designed, no doubt, to be flipped once enough foot traffic eroded them.  The effort that went into this one dark stairway was of notable contrast with the rest of the cave system, which was significantly rougher. 
 
The air got colder the farther they went down, until it began to get slightly warmer.  They finally reached the end, and saw that the room at the bottom of the staircase had its own light source.  An eerie glow.  They stepped into a large, cylindrical room, with a domed top.  As Candle looked around, his mouth fell open, and he dropped his torch on the ground.
 
-----
 
Jubal lead Nick through a series of winding cave passages, over a large crack in the floor - the bottom of which she couldn't see - and up a flight of stairs, before finally entering a room with a large bed in it.  The room was lit by oil lamp, there were rugs with fancy patterns along the floor, and thin woven curtains were hung from the ceiling above the bed.  The walls were covered in crude depictions of wild animals and of people hunting them, mostly with spears, but occasionally with little balls on ropes. 
Jubal shut the door behind him and laughed triumphantly.
Nick turned to face him, "I am so sorry, your honor."
"Do not apologize," said Jubal.  "I am having fun!  I love excitement!"
"No," Nick shook her head.  "It's not exciting.  It's scary.  I've brought trouble right to your doorstep."
"I knew you were a fugitive when I brought you here," Jubal reassured her.  "You were very upfront about that."
"You don't even know what I did," said Nick.
"Yes I do," said Jubal.  "You told me.  You broke some custom you weren't aware of."
"I swallowed-"
"I don't care about Cainite customs," Jubal interrupted.  "I hate Tubalcain.  And furthermore-" he grabbed a spear that was leaning against the wall and hopped on top of his bed.  "I am a prince, and I hereby pardon you."
"But I'm cursed," she insisted. 
"Nick," he interrupted her again, as he jumped off the bed and swooped in front of her gallantly, like a dancer.  "I'm a Cainite.  We're all cursed.  And you... you are the most lovely, most interesting, most clever, and most inspiring woman I have ever met.  I am utterly taken by you.  I will never let my brother snuff out such a light."
"Your grace," Nick said, softly, not quite sure how to respond.
Jubal jumped back on his bed and swung his spear around dramatically, "I vow to protect you, Nick, from here to the ends of the earth!"
 
Nick bit her lip.  Would he still think she was lovely if he knew she'd swallowed the Seeds of Eden?  Would he still think she was interesting if she told him she had a boyfriend?  Would he still think she was clever if she tried to convince him she was from the future? 
 
She stepped forward towards the bed, "Tubalcain has guns.  And cannons.  And giants.  I've seen them.  They came to Outer Eden and blew off one of the temple spires."
Jubal stepped off the bed, "are you a Sethite?"
"No," Nick shook her head.  "You're not listening to me.  If the soldier I came with doesn't get me back, he may leave and come back with reinforcements.  I heard your brother talking about total conquest, so he may come here anyways, but-"
"Then perhaps I should have a talk with the soldier," suggested Jubal.
"No!" Nick protested, then shrank back, trying to think of an excuse, and fast.  Pattern would definitely tell Jubal what Nick had done.
"What?"  Jubal halted at the door.  "What's wrong?  Are you afraid?  Of course you're afraid.  Perhaps I should go alone.  You may stay here if you'd like.  These are my chambers, so nobody will bother you here."
He smiled at her, charmingly, trying to reassure her.  Her shoulders were tensed up, and her mouth was hanging open, stupidly.  She considered asking if he'd have Pattern killed immediately.  Perhaps have his throat cut on site?  Before he has a chance to say anything?  She imagined Candle's judgmental, disapproving face, and couldn't quite bring herself to make that kind of brutal request.  She couldn't think of anything else either, so she just nodded. 
 
Jubal nodded back, "Do you know his name?"
"Pattern," she said.  "He has another man captive named Candle.  Candle is completely innocent.  More innocent than I am.  All he did was try to protect me.  Please see that he is set free and allowed to return to his wife and children?"
"Absolutely," promised Jubal.
"He'll also have a Bar-bar with him," said Nick.
"Really?"  Jubal asked.  "Why would a Cainite soldier have a Bar-bar with him?"
"That's actually my fault," Nick explained.  "He was caught in a trap, and I insisted we rescue him.   And then he started following us.  Please don't hurt Bar-bar either?"
Jubal laughed, "Amazing.  You're a prisoner to a Cainite soldier, and you've managed to persuade him to rescue and keep a Bar-bar.  And you've bonded with the Bar-bar!  You truly are a captivating woman."  Jubal laughed joyfully again, as he exited the room.
 
She felt herself begin to cry again, so she slapped herself.  Now's not the time.  she simply couldn't stay at the Academe.  As soon as Jubal found out about her, he would be likely to turn on her as well.  There's a chance he wouldn't, but she couldn't risk it.  She would have to try to slip out unnoticed.  She took off her backpack and quickly made her way to an open trunk by the wall, which carried Prince Jubal's laundry.  She started rifling through them until she found an outfit she thought she could fit in - a long, furry, belted, leather tunic that she thought literally looked like something a caveman would wear, like something out of the Flintstones, and shorts that would only stay up on her if she tucked them up under the belt - and she changed into them.  The tunic fit her more or less like a loose dress.  She shoved a couple more outfits into her bag, just in case, and made her way over to the chamber door.   She slowly cracked it open to make sure the coast was clear, and slipped out.  She listened, and could still hear Jubal's footsteps in the distance.  She tiptoed after him, hoping he would lead her somewhere she'd be able to escape without being noticed. 
 
-------
 
Candle stood in the domed room staring at everything so long he lost track of time.  He'd never seen anything quite like it.  The top of the room had a circular window made out of some sort of stained glass, which projected the aurora from the sky downward like a pillar of blue and violet.  The longer he stood there, he noticed the pillar moved around the room with the position of the sun.  The walls were covered in paints and metals, depicting several things at once.  Around the edge of the window were flames, clearly meant to insinuate the window represented the sun.  But depending on how you read the rest of the room, it also might've depicted God, or possibly the point of creation.  Everything simultaneously started and ended at the top, and you could read the depictions both upwards and downwards.  At first, Candle read it as a chronicle of the first seven days of creation; the separation of light from dark, day from night, the waters of the deep with the waters of the sky, the invention of birds and fish and animals and trees and eventually Adam. 
 
But then he noticed it could also be read as a sort of cosmic map; with the sky as a big glass globe filled with the stars and angels and all the water in the heavens, followed by the tops of the mountains, and the earth surrounding it and pointed toward it, until finally the depths of the sea and the endless, bottomless abyss fades to hades and nothingness. 
 
And then, before he even realized it, the depictions transformed into a geographical map, with Eden at the center, and on down the Holy Mountain, past his home, into the trees of the forest of Nod, and into more and more chaotic and exotic creatures until the map finally reached the edge of the Earth and the sea where the Leviathan dwelt. 
 
And on and on it went, until he realized it could be read backwards, as a prophecy of destruction.  The awe-inspiring beauty turned nightmarish as the scenes played out before his eyes.  All of creation, completely undone.  The breath of mankind, once a gift from the very breath of God, snuffed out as the waters of the sky and the waters of the deep close the distance between them.  Candle's heart grew heavy in his chest.  This was a real, inspired prophesy.  He knew it.  He felt it.  And it hurt.  Nobody was going back to into the Garden.  God was going to flood the Earth and destroy everything.  Candle fell to his knees and tried to pray, but he was left speechless.  What could he possibly say?
 
Bar-bar knelt down next to him and licked his face.  It was oddly comforting.  He looked back up at the wall and noticed the woods - sometimes read as the original creation of plants, sometimes as the forest of Nod - had an unusual arcing shape to them that didn't quite flow with the rest of the patterns.  When he read the room backwards, it almost seemed as though the woods themselves were surrounding the animals like a bubble, hovering just over the waters of the deep.  It didn't make any sense. 
 
Candle adjusted his backpack and rose to his feet.  Bar-bar wagged his tail, seemingly oblivious to the significance of the room he was in. 
 
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Pattern looked furiously around the crowded room.  Nick had once again slipped away, and now Candle had managed to escape his wrist cuffs, and Bar-bar was nowhere to be seen.  He growled in frustration, and determined to go after Nick first.  If he was only able to do half his job, it had better be the critical half.  Pattern reasoned that Candle's overactive conscience would compel him to circle back to Nick anyways; there's no way he would just abandon her.  He saw one of the students winging above him on a vine attached to the ceiling.  He saw them before, but only just now did he notice there were notches up the walls to the higher cave entrances.  He climbed up the notches to where one of the vines was tied off on a metallic ring; he took the vine and swung over everyone's heads across the room, landing near to the cave hole he saw Jubal lead Nick through.
 
He entered, only to find yet another labyrinthine corridor lined with closed doors.  He stared took a deep breath and began to open the doors, one by one.